How to Paint a Sylvaneth Gossamid Archer with Contrast Paints

Video Tutorial: How to Paint a Sylvaneth Gossamid Archer

The following paints were used:

Games Workshop: Mantis Warriors Green (Contrast), Striking Scorpion Green (Contrast), Karandras Green (Contrast), Garaghak’s Sewer (Contrast), Magmadroth Flame (Contrast), Baal Red (Contrast), Doomfire Magenta (Contrast), Sigvald Burgundy (Contrast), Seraphim Sepia (Shade), Flash Gitz Yellow, Rhinox Hide, XV-88, Balor Brown, Xereus Purple

Vallejo: Mecha Varnish Matt

P3: Morrow White (Any White will do)

Step-by-Step Guide: How to Paint a Sylvaneth Gossamid Archer

Priming and Preparing the Model
Start by assembling and priming your Gossamid Archer model. Use Wraithbone as a base colour, which helps in achieving brighter, cleaner colours. If you want an even brighter finish, you can spray the whole model white. A zenithal highlight can be applied to create natural focal points on the head and chest, allowing for more dynamic shading.

Applying Base Colours with Contrast Paints
Begin painting with a variety of contrast paints to achieve a vibrant and varied colour scheme. Use a large brush like an Artist Opus size 4 for quick application. Key contrast paints to use are Striking Scorpion Green, Karandras Green, and Garaghak’s Sewer. While the paints are still wet, you can blend them together on the model for a smooth transition. However, be cautious of drying times to avoid streaking.

Correcting and Refining with Airbrush
If needed, refine areas with an airbrush. For instance, overpainting with Striking Scorpion Green can provide a more opaque and smoother finish, especially on the wings.

Mixing Contrast Paints with Acrylics
Contrast paints can be mixed with regular acrylics for more versatility. Mix Striking Scorpion Green with P3 Morrow White to create various shades for highlighting. This method allows for smooth transitions and a semi-translucent finish.

Painting Wings with Dragonfly Effect
For a dragonfly-like effect on the wings, use a mix of Striking Scorpion Green and white to paint vein-like lines, emulating a dragonfly’s wing pattern. Start with basic lines, then create four-sided shapes like rectangles or squares, resembling the vein structure. The lines don’t need to be perfect, as the organic nature of the wings allows for some variation. Ensure your brush isn’t overloaded with paint for finer lines.

Skin and Body Details
For the skin, use Magmadroth Flame contrast paint, which provides a strong, vibrant base while still allowing for natural shading in recesses. For the arm and other body parts, apply Sigvald Burgundy, Baal Red, Doomfire Magenta, and other contrast colours, blending while they are wet for a smooth transition. Use smaller brushes for detailed areas, and ensure you cover all surfaces.

Highlighting and Detailing
Highlight the skin by mixing Magmadroth Flame with Kislev Flesh, gradually adding more Kislev Flesh and white for higher highlights. Apply these mixes to the raised areas like shoulders, chest, and arms. For the hair, start with a vibrant base of Flash Gitz Yellow, dulled down with a Seraphim Sepia wash. Highlight by adding white to Flash Gitz Yellow for a striking effect.

Bow and Other Accessories
Paint the bow using Rhinox Hide, XV-88, and Balor Brown, adding white for final highlights. Keep the painting simple, avoiding overly intricate freehand patterns unless desired. Remember to mix and match colours to add more interest to the model.

Finishing Touches with Matt Varnish
Once the painting is complete, apply a coat of Vallejo Mecha Varnish Matt. This will unify the finish of the model, reducing any unwanted shine from the contrast paints and enhancing the overall appearance.

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Richard was sent the new Warhammer 40,000 Leviathan box set from Games Workshop, and of course had to pick out his favourite model to paint up for a tutorial video for you guys. This is up on the website, ad free for freebie members and above, but also on Youtube – follow the link below or click in the embed to watch: The following paints were used: Games Workshop: Black Templar (Contrast), Darkoath Flesh (Contrast), Contrast Medium, XV-88, Morghast Bone, Ushabti Bone, Screaming Skull, Mephiston Red, Evil Sunz Scarlet, Wild Rider Red, Yriel Yellow Vallejo: Game Colour Dark Green, Neutral Grey, German Grey, Black, Gunmetal Grey (Metallic), Chrome (Metallic) P3: Morrow White About the Leviathan box set – (Review by Rebecca) The “launch box” contains two armies (Space Marines and Tyranids), a limited edition book, and lots of other treats. However, if you’re a newbie to this hobby, brace yourself for a slightly steeper learning curve. Unlike some dedicated starter sets, Leviathan skips the dice, measuring tools, and handy “get started” guide. The box also contains a set of transfers covering a host of Space Marine Chapters.In the video Richard says that there are no Dark Angel ones, but there are, (sorry). In addition to this, while the rules for every Warhammer 40k unit will be available for free download from Warhammer Community, be aware that the box itself does not include physical cards. Instead, you’ll find basic profiles tucked away in the back of the instruction manual. Richard enjoyed painting a Terminator for the video above, and was impressed by the level of detail. They’ve managed to retain the classic charm of their predecessors while seamlessly blending into the ranks of the latest Space Marine models. In this new edition, the Terminators boast some nifty tricks up their power-armoured sleeves. Imagine being able to plant a teleport marker anywhere on the battlefield right from the get-go, courtesy of these bad boys. And the best part? You can use Rapid Ingress without spending a single resource to appear right next to that marker. Finally, they give a resounding “no thanks” to any negative hit modifiers. That means they’re practically unstoppable in combat. For beginners and those who stick themselves together more than their miniatures, the models in the Leviathan box set are push fit, requiring no glue. Despite their easy assembly, they stand strong against intricate multi-part kits, however and still boast a great level of detail and good customisability. I, personally, love the books that comes with the sets, especially when they are as full of background information as the rule book that comes with the Leviathan set.This exclusive book encompasses a whopping 200 pages of background information, hobby details, and lore. Not only does it provide insights into every Combat Patrol available, but it also showcases stunning images of painted models. In short, the Leviathan box set is a great set if you are looking to get a lot of very cool models plus some great lore! Rebecca Gray This website showcases lots of Warhammer tutorial videos by Richard Gray! If you don’t have an account on the website, please sign up here! In total, the website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore the free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me Richard on Patreon, please visit: https://www.patreon.com/RichardGray [...]

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How To Paint: Death Guard Space Marine

These videos will show you how to paint a Death Guard Space Marine, specifically from the Space Marine Heroes collection. These guides will focus on creating a textured, decayed look characteristic of the Death Guard, using various stippling techniques. Video – How To Paint: Death Guard Space Marine : Part OneMaterials NeededStepsTipsVideo – How To Paint: Death Guard Space Marine : Part TwoAdditional Painting StepsAdditional TipsMore Death Guard Tutorials to Explore!Free Video Tutorials Video – How To Paint: Death Guard Space Marine : Part One Materials Needed Paints: Games Workshop: Balor Brown, Rhinox Hide, Morghast Bone, Screaming Skull, Khorne Red, Volupus Pink, Fire Dragon Bright, (alternatively Bugman’s Glow and Cadian Fleshtone for copper effect) Vallejo: Ice Yellow, (alternatively Old Rose and Salmon Rose) Brushes: A variety of sizes, including stippling brushes (Artist Opus dry brush or makeup brushes can be used) Primer: Black primer (Ultimate Primer recommended) Palette: For mixing colours Water pot: For thinning paints and cleaning brushes Steps Priming and Base Texture: Prime the model in black. Start stippling texture onto the armour using Balor Brown. Ensure the paint is diluted (about 50% water) to achieve translucency and avoid excessive build-up. Layering the Texture: Continue building texture with Morghast Bone, focusing on areas where light naturally hits. Aim for a top-left light perspective. Dilute your paints as you stipple, gradually building up layers for a controlled, textured effect. Detailing with Contrast Paint: Apply Volupus Pink to recesses and bubbly areas on the armour for quick coverage. This helps in defining those decayed spots distinct to Death Guard armour. Base Colour for Trims and Metals: Paint all trims and metal areas with watered-down Rhinox Hide. This acts as a base for later metallic effects. Non-Metallic Metal (NMM) Effect: For a non-metallic metal look, mix Old Rose with Rhinox Hide and Salmon Rose with Ice Yellow. Layer these mixes to create a copper-like effect, adding Mournfang Brown for warmth. Highlighting Armour and Details: Use Screaming Skull to push highlights on the armour. Concentrate on areas like the chest, head, and shoulder pads to draw focus. Stippling Screaming Skull provides a more opaque highlight. For the pus boils, start with Balor Brown and build up layers with Fist Red for veins. Add Morghast Bone and Screaming Skull for highlights, creating a shiny, reflective surface. Painting Fungus and Red Details: Base the fungus-like growths with Khorne Red. Create a gradient effect by mixing Khorne Red with Fire Dragon Bright, then highlight with Ice Yellow for a vibrant contrast against the armour. Tips Patience is Key: Death Guard models are detailed, so take your time to add depth and texture. Light Source Consistency: Ensure the light source remains consistent across the model for a cohesive look. Layering: Gradual layering helps create a more realistic texture, particularly for the decayed look of the Death Guard. Brush Care: Clean brushes thoroughly between colours, especially when working with stippling techniques. Video – How To Paint: Death Guard Space Marine : Part Two Continuing from Part 1, let’s delve into completing the Death Guard Space Marine with a focus on the gun, additional weathering effects, and other details. We’ll be using a variety of techniques to add depth and character to the model. Additional Painting Steps Gun and Metallics: Start with Bugman’s Glow and Cadian Fleshtone for a coppery effect. Apply these colours to the gun, focusing on light placement and creating non-metallic metal effects. Use Mournfang Brown and Ice Yellow for richer copper tones. Ensure smooth transitions and consistent light reflection. Weathering and Verdigris Effect: For added realism, apply verdigris using Sotek Green. Mix with water (approx. 6-7 parts water to 1 part paint) and apply it to recessed areas and around details for an oxidized look. Add layers of Sotek Green mixed with white for a more pronounced effect. Apply sparingly to avoid overpowering the metallic sheen. Highlighting and Details: Highlight the gun and metallic parts with Ice Yellow and a touch of white for glare effects. Be cautious with paint consistency to avoid unwanted textures. Address the back of the model similarly, but you can opt for brighter highlights as this part is often in shadow during gameplay. Painting the Backpack and Tentacles: For the backpack’s tentacle-like extensions, use a mix of Pink Horror, Emperor’s Children, and Fulgrim Pink. Stipple on these colours to create a mottled, organic texture. Use Averland Sunset or a similar yellow for raised pustules, adding depth and contrast to the tentacles. Green Goo Effect: Paint any dripping goo with Moot Green, applying in layers to create a luminous, toxic effect. Highlight edges with Ice Yellow for added vibrancy. Finishing Touches: Utilize Corvus Black for deepening shadows and refining details. Water down the paint and apply it as a glaze to enhance contrast and soften textures. For the final highlights, focus on the model’s focal points, such as the head, chest, and weapon, ensuring they draw the viewer’s attention. Additional Tips Layering: Build up your colours gradually for a more natural and controlled effect. Light Source: Keep the light source consistent across the model for a cohesive appearance. Weathering Techniques: Experiment with weathering to add character. Verdigris and rust effects can significantly enhance the decayed look of the Death Guard. Patience: Take your time with details, especially on focal points, to make them stand out. Brush Care: Maintain your brushes, especially when working with techniques that can be hard on them, like stippling and dry brushing. More Death Guard Tutorials to Explore! Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint Gloomspite Gitz Grot in Contrast Paint

How to Paint Snikrot the Ork!

This video looks at how to paint the Ork special character, Snikrot, which Games Workshop sent to me as an early review copy.The model is painted to a high tabletop standard and Contrast paints are used heavily. Quick Jump to: Video Tutorial – How to Paint Snikrot the Ork!Steps and TipsPriming and HighlightingApplying Contrast PaintPainting DetailsNon-Metallic Metal (NMM) TechniqueSkin HighlightsLeather and StrapsFinal Touches on Metallic AreasLenses and EyesVideo Tutorial – (Richard Version)More Free Video Tutorials Video Tutorial – How to Paint Snikrot the Ork! The following paints were used: Games Workshop Contrast: Black Legion, Mantis Warriors Green, Aggaros Dunes, Skeleton Horde, Garaghak’s Sewer Vallejo Game Colour (New): White Ink, Mecha Matt Varnish, Neutral Grey, Black, Desert Yellow, Bile Green, Grunge Brown, Dead Flesh, Turquoise, Aquamarine, Dead White, Airbrush Thinner Steps and Tips Priming and Highlighting Prime the model.Apply white ink using an airbrush, thinned with Vallejo airbrush thinner, focusing on the face and chest for natural light effects. Applying Contrast Paint Start with Mantis Warriors Green for the skin. Use a large brush for efficient coverage, allowing the paint to settle in the recesses.For trousers, use Aggaros Dunes, a dark brown contrast paint.Apply another brown contrast paint for the leather areas.Paint all metal areas with Black Legion contrast paint, without worrying about neatness as black will cover any overlapping paint.For bone areas, use Skeleton Horde. Painting Details Paint teeth and tongue with Skeleton Horde, and use a pink colour for the tongue.Apply a coat of matte varnish (Mecha Matt Varnish by Vallejo) to reduce the sheen from the contrast paints. Non-Metallic Metal (NMM) Technique Start with Vallejo Game Colour Neutral Grey for the metallic areas.Create a palette with Neutral Grey, mixed with white and black, and use Dead White for the brightest highlights. Skin Highlights Mix Bile Green with white for brighter skin highlights. Focus on the areas where natural light wouldhit, such as the tops of muscles and face. Leather and Straps For additional texture and highlights on leather, use Grunge Brown.Apply Desert Yellow for final highlights on leather, following the sculpted creases and stress points. Final Touches on Metallic Areas Enhance the metal parts with additional Grunge Brown, focusing on recesses and flat surfaces for a grimy look.Use Dead Flesh for final highlights on metallic areas, achieving a high contrast non-metallic metal effect. Lenses and Eyes Paint the lenses starting with Turquoise, followed by Aquamarine for the first highlight.Add a small dot of Dead White at the bottom for a reflective effect.Throughout the process, remember to let each layer dry before applying the next. Video Tutorial – (Richard Version) Yep – it was an April Fools! 😀 This was my wife and she wanted to have some fun doing a voice over.She has her own channel here, if you’d like to check out more of her Warhammer New Release unboxings and voice overs, or you can explore them below. More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “”friend” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Legio Sinister Freehand on the Adeptus Titanicus Warlord Titan

Welcome to this detailed guide on how to paint the Legio Sinister freehand symbol for a Warlord Titan. I will be using various Games Workshop and Vallejo paints to achieve a polished and striking look. This guide is suitable for intermediate to advanced hobbyists due to the precision required in freehand painting. Video – Legio Sinister FreehandPaints UsedSteps and Tips for the Legio Sinister FreehandStep By Step Image GuideMore Freehand Tutorials on the WebsiteFree Video Tutorials Video – Legio Sinister Freehand All videos are recorded in HD 720p or higher – use full screen for the full effect and let the video load completely. Paints Used Vallejo Model Colour Black Games Workshop Paints: Mechanicus Standard Grey, Slaanesh Grey, Grey Seer, Mephiston Red, Mournfang Brown, XV-88, Dorn Yellow, Screaming Skull Steps and Tips for the Legio Sinister Freehand Mapping Out the Position: Begin by using Vallejo Model Colour Black to roughly outline where the symbol will be placed. Start with a small circle at the centre, gradually expanding outwards. Include a line at the top of the curve to centralise the image. Refining the Shape: Progressively enlarge the symbol, focusing on refining its shape. Paint an approximate circle with spikes extending outward. Ensure even distribution of the black paint to provide a solid base for subsequent layers. Applying Initial Colours: Commence with Games Workshop’s Mournfang Brown, applying it as a foundation for the non-metallic parts of the symbol. Layer on XV-88 next, followed by Dorn Yellow, with a focus on the top-left for the lighting direction. Remember, moderate use of Dorn Yellow prevents oversaturation. Adding Highlights: Employ Screaming Skull to introduce highlights. Be judicious in this step, concentrating on the top left to evoke a lustrous appearance. The XV-88 should remain the predominant colour for the metallic aspects. Painting the Lion’s Face: Utilise a range of greys (Mechanicus Standard Grey, Slaanesh Grey, Grey Seer) to depict the lion’s face. Start with basic shapes, refining them progressively. Pay special attention to the eyes, nose, and mouth, building depth with shadows and highlights. Detailing with Red: Apply a glaze of Mephiston Red for a subtle red glow around the eyes and other facial areas. This step enhances the lion’s fierce visage. Adding Fur Details: Use greys to render fur details, commencing with darker shades and progressing to lighter highlights. Focus on creating a three-dimensional effect with varied brushstrokes. Final Details: Paint the Titanicus symbol on the lion’s forehead using black as a base. Layer greys for the non-metallic metal effect, ensuring a thinner central line for a precise appearance. Use Dorn Yellow and Screaming Skull for the highest highlights, ensuring they are well-placed to create a realistic metallic sheen. Refining and Adjusting: As you near completion, revisit areas that require refinement. This may include sharpening edges, deepening shadows, or enhancing highlights. The key is to achieve a balance between contrast and harmony in the symbol’s details. Final Touches: Examine the overall piece for any last-minute adjustments. This might involve intensifying certain colours, smoothing transitions, or adding small details to bring the symbol to life. Ensure the lighting direction is consistent and the symbol stands out against the background. Step By Step Image Guide The team at Warhammer Community approached me for some tips on freehand and I created an article with step by step imagery for the tutorial above – to view it, visit: Tips on Freehand – Step-By-Step Image Guide : Adeptus Titanicus More Freehand Tutorials on the Website Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs. If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “friend” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Warmaster Iconoclast Titan in Legio Astorum (Warp Runners) colours

This free video shows how to paint a Warmaster Iconoclast Titan for the Legio Astorum (Warp Runners) from the Adeptus Titanicus game. The following paints were used: Games Workshop: Night Lords Blue, Calgar Blue, Mephiston Red, Balor Brown, Hashut Copper, Yriel YellowVallejo: Dark Sea Grey, White, Metal Colour Burnt Iron, Metal Colour Gold, Metal Colour Chrome, Mecha Gloss VarnishScale 75: Necro GoldAmmo: Ultra-Matt Lucky VarnishWinsor and Newton: Sansodor mineral spirit, oil colour Black, oil colour Burnt Sienna Badger: Ultimate Primer Black Steps to Follow on How to Paint a Warmaster Iconoclast Titan Preparing the Model Build the Model: Assemble your Warmaster Iconoclast Titan, leaving off the armour plates for separate painting. This allows easier access to the skeleton for painting in metallic colours. Painting the Skeleton Base Coat in Metallic: Start with Vallejo Metal Colour Burnt Iron applied with a large soft brush or a dry brush for a smooth metallic base on the skeleton. Detailing with Copper: Use Games Workshop Hashut Copper for the hips and other details, applying multiple coats as necessary for even coverage. Thin with water if the paint is too thick. Verdigris Effect: Mix oil paints on cardboard to create a light green verdigris colour. Stipple this onto the copper parts with an old brush, focusing on crevices and rivets. Thin with white spirit for a more natural effect. Weathering the Metal Oil Wash: Create an oil wash with black and burnt sienna oil paints thinned with mineral spirits. Apply over the entire metal skeleton, excluding verdigris areas, to add depth and an oily finish. Highlighting: Highlight edges and raised details with Vallejo Metal Colour Chrome for a sharp contrast. Painting the Armour Panels Base Coat in Blue: Airbrush the panels with Games Workshop Night Lords Blue, followed by highlights with Calgar Blue focusing on upper sections and curves. Detailing Stripes and Flames: For striped areas, use Tamiya masking tape and Vallejo Dark Sea Grey. For flames, start with Balor Brown as a base, building up to lighter tones and finally white for the hottest parts. Applying Decals: Use Forge World or Games Workshop decals for additional detailing, sealing them with Microset or Microsol. I’ve put a link to another free video on how to do that, below! Final Weathering: Apply oil washes for weathering effects, focusing on creating streaks and grime accumulation that fits with the battlefield-worn look. How to Apply Forge World Decals and Weather Them A beginners guide on how to apply Forge World decals and weather them so they look a natural part of the painting on your model. Painting and applying decals to your models adds significant details and realism, making it stand out during tabletop gaming. It’s also a lot easier than freehand! I still use decals a lot in my models, despite also enjoying freehand work. Watch and Read Now Finishing Touches Painting Trim and Details: Use Scale 75 Necro Gold for gold trim, applying carefully around edges and details. For a brighter highlight, apply Vallejo Metal Colour Gold. Matte Varnish: Seal the entire model with an ultra-matte varnish to tie together the different finishes and protect the paintwork. Optional Ribbon Streamers: Create custom ribbon streamers from plastic card, painted and detailed to match the Titan’s colour scheme, adding dynamism and a personalised touch to your model. Additional Tips Always thin your paints to ensure smooth application and avoid obscuring fine details. When working with oil paints for weathering, allow ample drying time between layers to prevent smudging. Use a hairdryer to speed up drying times cautiously, avoiding too much heat on plastic parts. Experiment with lighting and colour modulation on the armour panels for a dynamic appearance. If you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Grimdark Imperial Fist

This video shows the whole process of how to paint a Grimdark Imperial Fist for Warhammer 40,000, plus a step by step text guide. Tool and Paints The following paints were used: Games Workshop: Mephiston Red, Wild Rider Red, Cadian Fleshtone, Ushabti Bone, Yriel Yellow, Sotek Green, Balor Brown, XV-88 Vallejo: Neutral Grey, Ice Yellow, Black, (Metal Colour Magnesium) P3: Morrow White (Any brand of white is fine) Scale 75: Dwarven Gold, Neco Gold Winsor & Newton: Oil Colour: Burnt Sienna, Black, Sansodoor solvent Step by Step Guide : How to Paint a Grimdark Imperial Fist Step 1: Base Coating with XV-88 Start with a model primed in black and assembled (except for head and backpack). Use XV88 paint directly from the pot and scrunch it onto a piece of paper towel. Stipple the paint onto the model with a large brush to cover all armour panels. Stab the marine harshly with the stippling brush to create texture. Don’t worry about getting paint on other parts; focus on covering armour panels thoroughly. Step 2: Adding Baylor Brown Highlights Switch to a smaller brush for precision. Use Balor Brown paint and continue stippling, focusing on areas with prominent curves (shoulder pads, backpack, head). Highlight the model by emphasizing the curves for a top-down lighting effect. Step 3: Airbrushing with Yriel Yellow and Ice Yellow Thin Yriel Yellow paint with airbrush thinner in a wet palette. Apply a thin coat with an airbrush, blending and smoothing the texture. Use Ice Yellow with the airbrush to highlight specific metal areas (gun, joints, recesses). Step 4: Red Trim with Mephiston Red Paint the trim on the marine in red using Mephiston Red paint. Avoid painting directly from the pot; thin the paint with water to achieve the right consistency. Focus on essential highlights rather than painting every edge. Step 5: Final Highlights and Stippling Use worn-out brushes for final highlights, adding details to areas with texture or leftover stippling. Stipple lightly to blend and enhance highlights. Step 6: Weathering with Sotek Green and Verdigris Apply Sotek Green for verdigris weathering on the chest piece. Water down the paint and run it into recesses for a weathered effect. Step 7: Apply Decals and Micro Set Glue the head on to avoid wobbly head issues. Apply decals using Micro Set for adhesion. Skip Micro Sol; Micro Set alone is sufficient for shaping decals. Step 8: Oil Wash with Agrax Earthshade Thin Agrax Earthshade with some Sansodor to create a wash. Apply the wash generously over the model, allowing it to settle in recesses. Wipe off excess if needed. Step 9: Final Touches and Stippling Stipple over highlights again to clean up and enhance contrast. Use Metal Colour Magnesium paint on lower areas (shin, foot) for a dirty, textured effect. Focus on making the knee pad stand out and eliminating unwanted highlights. Step 10: Eyes and Final Details Paint eyes with a mix of Sotek Green and Metal Colour Magnesium for a glowing effect. Add final details as needed, keeping the overall grimy and weathered appearance. Free Video Tutorials More free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint the Tomb Kings Bone Dragon Head

This video looks at how to paint the head of the Tomb Kings Bone Dragon. The video looks at the textured bone, how to add colour and interest and then how to add verdigris and NMM to the bronze trim. Video – How to Paint the Tomb Kings Bone Dragon Head Paints and Materials Used on the Tomb Kings Bone Dragon Paints: Games Workshop Paints: Mournfang Brown, XV-88, Morghast Bone, Screaming Skull, Skavenblight Dinge, (Skeleton Horde Contrast optional) Kimera Colours: Fallen Grass (Sybarite Green as an alternative) Two Thin Coats: Dark Sun (Balor Brown alternative) Brushes and Tools: Artis Opus Small Dry Brush: Used for stippling the base coat and first highlights. Size 2 Brush (Old): Ideal for glazing with Scavenblight Dinge and applying the verdigris effect on metallic elements. An older brush is recommended as the techniques used can be rough on the bristles. Size Z00 Brush: Used for finer detail work, such as adding texture to the verdigris effect. However, a larger brush may be more efficient for larger areas. Size 1 Brush: Recommended for applying non-metallic metal highlights. An older brush is suitable as long as it maintains a good point. Wet Palette: Handy for keeping your paint mixes workable and blending colours. Kitchen Roll: For dabbing off excess paint and ensuring the right consistency on the brush. Water Pot: For thinning paints and cleaning brushes. Step-by-Step Guide to Painting the Tomb Kings Bone Dragon Step 1: Base Coat Create a mix of Mournfang Brown and XV-88 in approximately a 50/50 ratio. The exact mix isn’t crucial, but aim for a reddish-brown shade. Thin this mixture with water (about two parts water to one part paint). Using an Artist Opus small dry brush, apply this mixture to the dragon head using a stippling method. Ensure the brush is damp, not wet, to avoid a dusty look. Cover the entire surface, allowing the small dots of paint to create texture. This might require two to three layers for opaque coverage. Step 2: First Highlight Switch to Morghast Bone for the next layer of highlight. Again, thin the paint (similar ratio as before) and dab off excess paint on kitchen roll before applying. Stipple Morghast Bone more selectively, focusing on creating a transition from darker to lighter areas. Pay special attention to the metal crests and teeth-like protrusions, ensuring they are light enough for later glazing. Step 3: Final Highlight Move on to Screaming Skull for the highest highlights. Apply this colour even more sparingly and delicately, focusing on the most raised areas and textures. Remember, this is not dry brushing. Dab the brush straight onto the model to create the desired texture. Step 4: Painting the Teeth Start with the base colours used for the bone and apply them with a normal brush for a smoother finish. For the top teeth, paint from the bottom upwards. This creates a shiny effect, with the brightest part of the tooth at the top. Use Screaming Skull for the very top section of the teeth to enhance the shiny look. Step 5: Softening Textures Use Scavenblight Dinge to soften the texture on the skull. Thin the paint significantly (about three to four parts water to one part paint). Apply with a large brush, focusing on midtones to shadows to enhance depth and contrast. Step 6: Glazing and Highlighting Return to the mixture of XV-88 and Mournfang Brown, now very watered down. Glaze around the teeth and other areas to add warmth and contrast, separating different elements like teeth from the skull. Step 7: Additional Details and Glazing Use Morghast Bone and Screaming Skull to pick out details, focusing on areas like the eye sockets and brow for added focus. For the bone spikes, start glazing with Rhinox Hide, thinned down. Progress from Rhinox Hide to a black colour (like Vallejo Model Color Black), applying from halfway down the bone spike towards the tip, creating a dark gradient. Step 8: Metallic Elements Base the metal parts with Mournfang Brown. Apply a wash of Fallen Grass, heavily watered down (five parts water to one part paint), focusing on recesses. Follow up with black lining for added definition, using watered-down black paint. Step 9: Non-Metallic Metal Highlights Create a palette with Mournfang Brown, a 50/50 mix of Mournfang Brown and Dark Sun, Dark Sun, Dark Sun mixed with white, and pure white. Start with the darker mixes and progressively highlight with lighter mixes, focusing on edges and areas where wear would naturally occur. Add finer highlights and scratches with the lightest mixtures. Step 10: Finishing Touches Revisit areas with Scavenblight Dinge for further softening and definition. Optionally, add warmth with a glaze of Mournfang Brown and XV-88, or Skeleton Horde Contrast for subtlety. Explore more Old World and Bone Tutorials! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Deathwing Terminator from the New Leviathan Box!

This video looks at how to paint a Deathwing Terminator from the new Leviathan boxed set, which Games Workshop sent to me as an early review copy. Video – How to Paint a Deathwing Terminator The following paints were used Games Workshop: Black Templar (Contrast), Darkoath Flesh (Contrast), Contrast Medium, XV-88, Morghast Bone, Ushabti Bone, Screaming Skull, Mephiston Red, Evil Sunz Scarlet, Wild Rider Red, Yriel Yellow Vallejo: Game Colour Dark Green, Neutral Grey, German Grey, Black, Gunmetal Grey (Metallic), Chrome (Metallic) P3: Morrow White Step by Step Guide Preparation and Priming: Assemble the Deathwing Terminator, modifying as desired (e.g., swapping weapons). Prime the model in black. Base Coat and Airbrush Highlighting: Apply a base coat of XV-88. Highlight with Morghast Bone using an airbrush, focusing on natural light areas. Applying Contrast Paint: Mix Darkoath Flesh with Contrast Medium and cover the Deathwing Terminator, emphasising recesses over large, smooth areas. Highlighting and Texturing: Hand apply highlights and textures using Ushabti Bone and Screaming Skull, targeting brighter airbrushed areas. Detailing with Black Paint: Paint areas destined for other colours (metal, red, green) with Black Templar Contrast or thinned black paint. Metallic Parts: Apply Vallejo Gunmetal Grey to metal parts. Use Agrax Earthshade for a matte effect. Add highlights with Chrome. Red Areas (Eyes, Lenses, Purity Seals): Base with Mephiston Red mixed with a small amount of black. Progressively highlight with Mephiston Red, Evil Sunz Scarlet, and Wild Rider Red. Green Areas (Chest Eagle): Base in Vallejo Game Colour Dark Green. Add highlights by progressively mixing in white. Bone Armour Texturing and Detailing: Further texture and scratch effects using Morghast Bone, Ushabti Bone, and Screaming Skull. Mix Morghast Bone with a bit of Mournfang Brown for shadows. Chest Eagle and Purity Seal Text: Use fine brushwork for text effects on purity seals with black paint. Final Highlights and Details: Apply final highlights with Screaming Skull or white, focusing on areas for maximum contrast. Blend and soften with Neutral Grey glazing. Basing: Base the Deathwing Terminator as preferred, employing sand texturing, painting rocks in German Grey and Neutral Grey, and adding grass tufts. Finishing Touches: Add chips and scratches across the armour with Rhinox Hide and Screaming Skull. Enhance details and edge highlights to complete your Deathwing Terminator! Show it off! As you progress, feel free to adapt and tweak techniques to suit your style. Good luck! When you’ve finished, why not pop into our Discord and show it off to other website members? 🙂 More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint Imperial Fists with Contrast Paint

Free Video Tutorial: Legions Imperialis – Leman Russ Vanquishers

This video shows how to paint some tanks for the Solar Auxilia faction of Legions Imperialis. Plus, I’ve included a little step-by-step guide underneath on the key points of the video! The following paints were used: Games Workshop: Agrax Earthshade, Skeleton Horde Contrast, Sotek Green, Moot Green, Evil Sunz Scarlet, Rhinox HideVallejo: Neutral Grey, Black, Metal Colour Exhaust Manifold, Metal Colour Copper P3: Morrow White Winsor and Newton: Burnt Sienna (series 1 oil paint), Black, Sansodoor mineral spirit For melting decals onto models : Micro Set Step-by-Step Guide: Prepare the Base Coat:Use an airbrush for efficiency in batch painting for your large Legions Imperialis faction.Mix Vallejo Neutral Gray with airbrush thinner (30 PSI, 50/50 ratio with thinner).Apply the base coat evenly to the entire tank. Consider using gray primer for a quicker and better result.Layering for Opaque Finish:Apply two or three layers of paint, especially for lighter colours like Pale Blue Gray Blue and Morrow White.Account for the drying effect, as colours may appear brighter when wet and darker when dry.Ensure a smooth and opaque finish by layering. Weathering Techniques:Stipple Rhinox Hide for additional details, using a foam piece held by tweezers.Apply weathering heavily to achieve a worn and battle-hardened look.Consider the impact areas for realistic weathering, such as edges and front sections. Adding Red Markings:Use Evil Suns Scarlet for red markings.Differentiate leader tanks by adding a red turret.Apply the red markings consistently across Legions Imperialis tanks for uniformity. Metallic and Lens Details:Use Exhaust Manifold by Vallejo for metallic parts.Apply Agrax Earthshade for a wash over the metallic sections.Paint lenses black and highlight with a mix of black and white in three stages. Final Touches:Add decals before applying any oil wash to blend them with the weathering.Consider adding additional details like hazard stripes or cables for higher-level detailing.Apply a final matte varnish or Games Workshop fixative to set the weathering powder and prevent rubbing off. Optional Colour Variations:Experiment with different colours based on personal preferences.Lighter colours with heavy weathering can enhance contrast and visibility in smaller scale models.Customise the Legions Imperialis tanks according to your gaming preferences. Final Assessment and Variations:Assess the overall look of the Legions Imperialis tank for any additional highlighting or weathering needed.Consider variations in colours and markings for a diverse tank fleet.Keep in mind that the level of detail can be adjusted based on personal preferences and the purpose of the painted tanks (e.g., gaming).! More videos! Click on the thumbnails below to explore more Legions Imperialis videos, or visit the All Videos page to browse all of my latest tutorials! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore more of my free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint Rogal Dorn’s Armour NMM Gold

In this guide you will be shown how to paint Rogal Dorn’s armour in NMM (non-metallic metal) gold. This is a higher level technique, suitable for the mighty Primarch of the Imperial Fists! Paints and Materials Games Workshop: Rhinox Hide, Mournfang Brown, XV-88, Balor BrownP3: Morrow White (Any White will do) BrushesArtis Opus: Series S size 1 and 00, Small Drybrush Step-by-Step Guide Want more? Download the detailed PDF guide! If you’ve enjoyed the video and want to take your painting to the next level, don’t forget to download the accompanying PDF guide. This extra resource provides step-by-step instructions, close-up insights, and useful tips to help you perfect the Non-Metallic Metal (NMM) gold technique on Rogal Dorn’s armour. Whether you’re watching the video or painting at your own pace, the guide is here to ensure you achieve the best results. Download the PDF Guide and master the art of NMM gold! Read Now More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Trugg the Troggoth King – Kit Review and Gap Filling Guide

Here is a kit review for the New Trugg the Troggoth King from the Gloomspite Gitz army. I also show how to fill in gaps in the plastic using Sprue Glue. Tools Used on Trugg the Troggoth King Sprue glue (made from Tamia extra thin glue and waste sprue) Tamiya extra thin glue Tamiya sanding pads Modelling putty (optional, mentioned as an alternative to sprue glue for a longer but more detailed process) Sandpaper Step by Step Guide Begin by assembling the model, focusing on its open design to make painting easier.Glue the model together, leaving only the head separate for more detailed painting. Notice join lines, especially on areas like horns, where the gaps are obvious and need attention Prepare sprue glue by cutting waste sprue from a plastic kit.Place the sprue pieces into a container with Tamiya extra thin glue, ensuring the consistency is not too thin. Use the sprue glue to fill join lines by blobbing it onto the gaps.Ensure the sprue glue is thick enough, containing sufficient plastic material. After applying sprue glue, use Tamiya extra thin glue to blend and smooth the surface.Work the extra thin glue to create a seamless transition, eliminating hard, bumpy edges. Cut off excess sprue glue after it has been applied and blended.Allow the model to dry overnight for the sprue glue to set completely.If desired, go back and sand over the top for a smoother finish.Use Tamiya sanding pads or similar tools for flexibility, especially on organic shapes Prime the model after gap-filling to see how well the join lines have vanished.Note any minor indentations, which can be painted over as part of the organic shape. If there are concerns with the sculpting of rock parts or moss details, sneakily mask them by adding additional textures using materials like sand or other textured elements. More Assembly Tutorials Lots More Tutorials! Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Video Tutorial: How to Fix the Legions Imperialis Marines

This video takes a look at the distortion on the marines and tries to fix the issue. Legions Imperialis was sent to me by Games Workshop as an early review copy. In this video, I’m tackling a little issue with the Legions Imperialis Marines from the latest game. These guys are small, about 9 millimeters tall and they’ve got some quirks… So, in this tutorial, I’m walking you through how I clean them up. I grab a trusty scalpel, trim off the excess plastic, and then work some magic with Tamia extra thin glue to make it all smooth and polished. Steps to Fix the Legions Imperialis Step 1: Identify IssuesStart by examining the Legions Imperialis Marines for any deformities or excess plastic.Note specific areas that need attention, such as the back of the gun, gaps between limbs, or any other noticeable imperfections.Step 2: Gather MaterialsObtain a scalpel, ensuring it is sharp for precision.Prepare Tamiya extra thin glue or a similar product for smoothing and blending the cut areas.Have your choice of paints ready for later stages.Step 3: Cut Excess PlasticCarefully use the scalpel to cut away excess plastic, following the natural lines of the model.Focus on areas where the deformities are most prominent, like the back of the gun or gaps between limbs.Be careful, as the models are small, and small, deliberate movements are essential.Step 4: Clean Up the CutsUse the scalpel to clean up the cut areas, creating a neat and smooth finish.Don’t worry too much about perfect precision, as the Tamiya glue will help blend and soften the edges later.Step 5: Address Specific IssuesPay extra attention to problematic areas, such as gaps between limbs or any distorted sections.Address these issues with precise cuts and clean-ups to improve the overall appearance.Step 6: Apply Tamiya Extra Thin GlueRun Tamiya extra thin glue over the cut areas to soften and blend the plastic.This step is crucial for achieving a seamless look and hiding any imperfections from the cuts.Step 7: PaintingOnce the glue has dried, proceed with painting the Legions Imperialis Marines! Why not follow one of my tutorials? While this process may seem meticulous, it’s essential to note that the level of detail and effort put into fixing the models is a personal choice. Not everyone may find it necessary, especially for gaming purposes. However, for those who are particular about the appearance of their models, these steps offer a solution to improve the overall look of the Legions Imperialis Marines. Free Video Tutorials Free videos (for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Free Video Tutorial: How to Paint a Night Lords Praetor for Horus Heresy

In this free video you will be shown how to paint a Night Lords Praetor in terminator armour, from the Horus Heresy (make sure you are logged in to view!) All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). The following paints were used: Games Workshop: Night Lords Blue, Kantor Blue, Macragge Blue, Calgar Blue (optional), Mephiston Red, Evil Sunz Scarlet, Wild Rider Red, Firedragon Bright, Baneblade Brown, Cadian Fleshtone, Balor Brown, Mournfang Brown, Morghast Bone, Screaming Skull, Forge World Weathering Powder Dark Sand. Windsor and Newton oil paints: Burnt Siena, Black, Sansodor mineral spiritVallejo: Mecha Varnish Gloss, Mecha Varnish Matt, Metal Colour Burnt Iron Scale 75: Elven Gold (optional)P3: Morrow White (Any White will do)BrushesArtis Opus: Series S size 1 and 00, Small Drybrush Step by Step : How to paint a Night Lords Praetor Painting Steps: Priming and Assembly: Assemble your model fully and prime it in black. In this case, the head is already glued in, making it slightly more challenging to paint. Base Layering: Start with Night Lords Blue, diluted roughly 50:50 with water. Use a small dry brush or makeup brush to stipple the paint onto the model, ensuring to get into all the recesses. Progressive Highlights: Apply subsequent layers of Kantor Blue, then Macragge Blue. With each layer, be less vigorous and focus more on areas where light naturally hits. Detailing with a Small Brush: For hard-to-reach areas like the chest, use a small brush to apply highlights. Final Highlighting: If desired, add a final stage of highlighting with Calgar Blue, although its translucency can be less satisfying. A mix of Macragge Blue and white can be more effective. Blocking in Other Colours: Apply base colours for other parts of the model, such as Mephiston Red for red areas, Baneblade Brown for leather straps, and Balor Brown for skulls and bones. Metallics and Golds: Paint metallic areas with Vallejo Metal Colour Burnt Iron and golden areas with Scale 75 Elven Gold. Gloss Varnish and Oil Wash: Once all base colors are blocked in, apply Vallejo Mecha Gloss Varnish. Follow this with a mix of Burnt Sienna and Black oil paint thinned with mineral spirits. Apply it liberally over the model and then remove excess with a clean brush dipped in mineral spirits. Matte Varnish: After the oil wash has dried, apply Vallejo Mecha Matt Varnish to prepare the model for further acrylic painting. Refining Highlights: Revisit areas with acrylic highlights, enhancing details and cleaning up where necessary. Lightning Effect: Use a mix of Macragge Blue and white, then pure white, to paint lightning effects on armor panels. Finishing Touches: Add final details to the model such as eye lenses, further skull highlighting, and final metallic edge highlights. Base Detailing: For the base, use Forge World Weathering Powder Dark Sand over glued sand for a realistic texture. Additional Tips on how to paint a Night Lords Praetor: Keep the paint consistency thin to avoid losing details. Use stippling and careful brushwork to create texture and depth. Be patient with the oil wash and varnish steps, as they significantly enhance the final look. Experiment with the lightning effect to create dynamic visual interest on the armor. Free Video Tutorials Free videos (for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint an Ork Beastboss

These videos shows how to paint an Ork Beastboss to a high level tabletop standard.In them, we are aiming to achieve a rugged, battle-worn look, emphasising strong contrasts and weathered metallics. Quick Jump to: Video – How to Paint an Ork Beastboss : Part OneMaterials NeededStep-by-step Guide on How to Paint the Ork BeastbossVideo – How to Paint an Ork Beastboss : Part TwoPaints UsedStep-by-step Guide on How to Paint the Ork BeastbossPDF GuideFree Video Tutorials There is also a detailed 26 page PDF guide for this model, which can be found here. Video – How to Paint an Ork Beastboss : Part One All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Materials Needed Ork Beastboss Miniature Brushes: Various sizes for different techniques Paints (Games Workshop): Mournfang Brown, Contrast Medium, Balor Brown, Trollslayer Orange, Yriel Yellow, Ork Flesh (Contrast), Skeleton Horde (Contrast), Black Templar (Contrast), Blood Angel Red (Contrast), Gryph-Hound Orange (Contrast), Flesh Tearers Red (Contrast), Volupus Pink (Contrast) Vallejo Paints: Dark Sea Grey, Pale Grey Blue, Ice Yellow P3 Paint: Morrow White (or any white will do) Step-by-step Guide on How to Paint the Ork Beastboss Priming and Zenithal Highlighting: Prime the model black and apply a zenithal highlight using Vallejo Pale Grey Blue. This creates natural shadows and highlights, guiding future paint layers. Skin Tones: Paint the Ork’s flesh using a 50/50 mix of Ork Flesh Contrast and Contrast Medium. This enables some of the grey from the zenithal highlighting to show through, providing a guide for later highlights. Fur and Details: Apply Skeleton Horde Contrast directly for fur, ensuring highlights are visible. Use Volupus Pink Contrast for lizard-like skin textures and Blood Angel Red Contrast for the top knot and tassel. Armour and Metallics: Paint areas intended to be bronzy or gold with Gryph-Hound Orange Contrast. This creates a dark orange base over the light grey zenithal highlights. For black areas or parts you want darker, mix Black Templar Contrast with Contrast Medium and apply. Bronze Metallics: Start painting the skeleton head and other bronzy parts. Use scratchy, rough strokes to build up layers, starting from a darker base and gradually adding lighter colours for highlights. Highlight Placement: Follow the guide provided by the zenithal priming for light placement, enhancing it with further highlights where needed. Steel Armor: For a steel-like finish on certain armour parts, use a similar scratchy technique, starting with Vallejo Dark Sea Grey and building up to lighter greys and whites. Weathering and Rust: Add weathering using Mournfang Brown and Trollslayer Orange, focusing on recessed areas, rivets, and parts where rust naturally accumulates. Video – How to Paint an Ork Beastboss : Part Two Paints Used Games Workshop: Mournfang Brown, Contrast Medium, Balor Brown, Trollslayer Orange, Yriel Yellow, Ork Flesh (Contrast), Skeleton Horde (Contrast), Black Templar (Contrast), Blood Angel Red (Contrast), Gryph-Hound Orange (Contrast), Flesh Tearers Red (Contrast), Volupus Pink (Contrast) Vallejo: Dark Sea Grey, Pale Grey Blue, Ice Yellow P3: Morrow White (Any white will do) Step-by-step Guide on How to Paint the Ork Beastboss Picking up from where we left off in the first guide… 1. Sword (Big Chopper) with Rusty Texture Base Layer: Start with Rhinox Hide, using a scribbly and scratchy technique similar to the armour’s style. This creates a dark base for the flat of the blade. If Rhinox Hide is unavailable, mix Mournfang Brown with Black for a close approximation. Stippling Technique: Apply Mournfang Brown with stippling, creating a rusty texture. Remember, the paint can be a bit thicker here to add texture. Additional Rust Effect: Use Trollslayer Orange for more rust detail, focusing on areas like the top hook of the blade. This paint is slightly translucent, so you might need to layer it for a stronger effect. 2. Highlighting the Blade Scratches and Cutting Edge: Use lighter colours like Pale Grey Blue and White to highlight and define scratches and the cutting edge of the blade. This gives a contrasting effect to the rusty areas. Bounce Highlights: Consider adding bounce highlights to reflect the battlefield’s environment, like green reflections for a green terrain. 3. Horns and Fur Base Colours: Use the same colours as the blade for consistency. Start with a mix of Rhinox Hide and Morghast Bone. Highlighting: Gradually lighten the base with pure Morghast Bone and then Screaming Skull, focusing more on the base of the horns and the top of the fur for a natural gradient. 4. The Face Initial Layers: Begin with a base of Warboss Green. You might need several layers due to its translucency. To reduce the shine from contrast paints, apply an ultra-matte varnish partway through the painting process. Detailing: Add more detail than is sculpted, especially around the temple and eyes, to create a more menacing look. Use Warboss Green mixed with Screaming Skull for highlights, making the face a focal point. 5. Teeth and Bone Decorations Base Colour: For teeth and bone-like decorations, start with a base of Balor Brown. Texture Technique: Use a stippling and scratchy technique for texture, similar to the horns and fur. 6. Red Hair Base and Highlights: Start with a base of Evil Sunz Scarlet. For highlighting, mix in a bit of white for a slightly pinkish hue, but be careful not to overdo it. Detailing: Use vertical strokes to highlight, focusing on the strands without overly brightening the recesses. 7. Loin Cloth (Lizard Skin) Base Layer: Use Xereus Purple over a base that was previously primed and given a coat of Volupus Pink. Highlighting: Highlight selectively, focusing on larger scales and facets. Use lighter shades of purple mixed with white for the highlights, but remember to keep the overall area dark for contrast. 8. Verdigris Effect on Bronze Areas Base Colour: Apply Sotek Green, watered down for a flowing effect into recesses. Layering: Add white to Sotek Green for progressive highlights, focusing on the darker areas and avoiding the brightest highlights to maintain the metallic sheen. 9. Back to the Face Detailed Texturing: Add more detailed textures to the face using the lighter green mixture, emphasizing areas where light hits directly. Balancing Highlights: Alternate between highlighting and shading to balance the contrast and maintain the focus on the face. 10. Finishing the Eyes Initial Layers: Start with a base of Pearl Grey Blue, then define the iris with Sotek Green. Highlighting: Use lighter shades of blue for the lower parts of the eyes. For the final highlights, map out the placement with the first highlight blue, focusing on the top left to represent the light source. 11. Final Touches Teeth and Tongue: Paint teeth in Balor Brown and adjust the tongue if needed. Bone Decorations: Add final touches to bone decorations, ensuring they stand out against the hair. Red Hair: Refine the highlights and ensure they blend well with the base colour. And there you have it, your Ork Beastboss is now ready for battle, boasting a range of textures and colours, all contributing to its fierce and battle-worn appearance. For more detailed instruction, check out the PDF Guide! PDF Guide I have also created a detailed 26 page PDF guide on painting this model, that can be found here for full website members: How to Paint an Ork Beastboss – PDF Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Troggoth in Contrast Paints

Free Video Tutorial: Alchemite Warforger (Short version)

Here is the shorter version of my Alchemite Warforger video, which is available to watch on here or Youtube for free. For more detail, check out the longer version! The following paints were used: Games Workshop: Rhinox Hide, Mournfang Brown, Balor Brown, Daemonette Hide, Slaanesh Grey, Mephiston Red, Yriel Yellow, Wild Rider Red, Troll Slayer Orange, Bugman’s Glow, Cadian Fleshtone, Morghast Bone, XV88.Vallejo: Ice Yellow, German Grey, Neutral GreyP3: Morrow White Grass: Mininatur Spring Moss Pads Step-by-Step Guide to the Alchemite Warforger Preparation: Assemble your Cities of Sigmar Alchemite Warforger model from the Cities of Sigma box set. Prime the model with black primer. Omit the cube with smoke for easier painting (add it back when you’ve painted the model!) Helmet Painting: Use XV88 to block in highlights for a bronzy colour on the helmet. Apply the paint loosely with a size 2 Artist Opus brush, focusing on where light naturally falls. Thin the paint to around 1.5 parts water to 1 part paint for easy layering. Metal Painting: Use a gray base colour (Neutral Gray or Mechanicum Standard Gray) for most steel-colored objects. Optionally, add colour with Daemonette Hide for a purpley-gray tone. Apply the paint loosely and scribbly to create texture. Use smaller brushes for refined marks in specific areas. Consider adding Daemonette Hide and Slaanesh Gray for additional colour on metal pieces for reflections. Leather Parts: Base the leather apron and other leather parts with Rhinox Hide. Apply the paint loosely with a mix of around 1.5 parts water to 1 part paint. Keep the paint flowing with the shape of the sculpt for a harmonized look. Highlighting: Highlight the metal parts with Slaanesh Gray, applying smaller and more refined marks. For leather, use Mornfang Brown for additional layers, creating a distinct color difference. Glaze with Mourning Brown on top of the highlights for added contrast. For leather straps, use larger black marks at the edges and smaller marks towards the core. Skin Painting: Base the skin with Rhinox Hide and layer with Mornfang Brown. Highlight using the following sequence: XV88, Guardian Flesh Tone mixed with Baneblade Brown and a bit of white. Keep the skin texture smooth, differentiating it from the heavily textured leather. Final Details: Apply Verdigris to metal clasps for a weathered look. Add OSL (Object Source Lighting) with plain flesh tone for the rune effect. Optionally, use Rhinox Hide for a runic effect. Consider the placement of the cube with smoke for potential obstructions. Remember, these steps are a guide, and you can adjust them based on your preferences and painting style. Happy painting! More Full Character Tutorials Free Video Tutorials Free videos (for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Video Tutorial: Stab Grot! The most powerful model from the Age of Sigmar Dominion box!

The most powerful model from the Age of Sigmar Dominion box! I thought it was time that I painted the most powerful model from the new Age of Sigmar Dominion box! It’s the mighty Stab-Grot! Materials Required: Stab Grot miniature, fully assembled and primed with Scale 75 Surface Black Primer Paints: Games Workshop (Mournfang Brown, Rhinox Hide, Cadian Fleshtone, Ushabti Bone, Firedragon Bright, Daemonette Hide, Sotek Green, XV-88, Moot Green, Mephiston Red, Evil Sunz Scarlet), Vallejo (Ice Yellow, Black, Neutral Grey, White, German Grey, Pale Grey Blue) Brushes, including a fine detail brush (size 00 recommended) Painting Process: Base Layers: Begin with Vallejo German Grey, applying it to the armoured parts using a scratchy technique. Concentrate on lighter points where light naturally falls (shoulder, forearm), but ensure even coverage. Adding Tones: Apply Daemonette Hide for a subtle hint of colour. Use the same method as with German Grey but in smaller areas, allowing the underlying grey to show through for texture. Highlights and Shading: Combine Pale Grey Blue and Daemonette Hide for highlights. Aim for a grimy, non-polished metal appearance. Use white sparingly to highlight edges and dents. Skin Tones: Start with Sotek Green, progressively adding Moot Green and white for highlights. Focus on creating soft transitions with diluted paint for a realistic skin effect. Leather Details: Base with Rhinox Hide, then layer with XV-88 and Cadian Fleshtone, concentrating on edges and scratches. Use watered-down Mournfang Brown for a glazing effect, softening the highlights. Red Cloth: Base with Mephiston Red, layering for opacity. Highlight with Evil Sunz Scarlet, careful not to overdo it to preserve the red’s vibrancy. Final Touches: Add final details such as rust on the blade with Mournfang Brown and scratches with Ice Yellow. Remember, moderation is key for a realistic weathered look. Tips for Success: Pay attention to natural light fall for realistic highlights and shadows. Use a scratchy technique for armour to create texture and a weathered appearance. Thin your paints for smoother transitions, especially on the skin. Avoid over-highlighting reds to prevent a pink or orange shade. Patience and attention to detail are vital for a small, detailed model like Stab Grot. Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “friend” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Free Video Tutorial: How to Paint a Nighthaunt Krulghast Cruciator

This video shows the complete process for How to Paint a Nighthaunt Krulghast Cruciator from Games Workshop including a step by step text guide and full list of colours needed. Paints and Tools The following paints were used:Games Workshop: Warpstone Glow, Yriel Yellow, Sotek Green, Lothern Blue, Blue Horror, XV-88, Balor Brown, Rhinox Hide, Abaddon Black, Mournfang Brown, Mephiston Red, Evil Sunz Scarlet, Wild Rider Red, Fire Dragon Bright, Ushabti Bone Vallejo: Neutral Grey, Black, Pale Grey Blue, White Grey, Ice Yellow How to Paint a Nighthaunt Krulghast Cruciator Step 1: Base Coating with Airbrush Ensure the model is completely built and primed. Separate the model into two sections for easier painting. Use an airbrush with a 0.4 sized nozzle to apply a base coat of red at the top and blue at the bottom. Mask off areas to avoid overspray and focus on highlighting towards the head and shoulders. Step 2: Adding Highlights with Airbrush Use Mephiston Red for the red sections and Fire Dragon Bright for the blue sections. Be cautious with lighter colours as they can be challenging to airbrush without speckles. Pay attention to angles to avoid overspraying onto other parts of the model. Gradually build up the highlights, especially on the tips of the tendrils. Step 3: Transitioning Colours Use White or Fire Dragon Bright for highlights, but be mindful not to turn the red into pink. Consider the translucency of the paint and how it interacts with layers. Be strategic in highlighting to maintain the desired colour intensity. Step 4: Detailing with Brushes Switch to a smaller brush for fine details and lines. Use Vallejo’s White Gray or a similar colour for opaque and solid highlights. Follow the sculpted details and angles on the model for a stylised effect. Step 5: Creating Contrast and Highlights on the Helmet Apply XV88 and Balor Brown to create contrast and define shapes. Add edge highlights to enhance details and create shine spots. Use Vallejo’s White Gray for additional highlights. Step 6: Adding Filigree Details Add filigree details to areas like the cross for a shiny effect Reinforce the glare by going over edges with a blob of paint. Ensure consistency and follow the sculpting direction for a polished look. Step 7: Refining Highlights and Shadows Glaze over the model to blend highlights and shadows. Tidy up and pick out additional details using Blue Horror. Use Wild Rider Red for final touches on certain areas. Step 8: Painting Wood Effect Cover everything with Rhinox Hide for the wood effect. Be rough and don’t worry about spikes; paint over them and pick them out in black later. Focus on pushing lightness towards the edges of each wood plank. Step 9: Adding Green Flame Use Warpstone Glow for the green flame. Be aware of the paint’s bad coverage and apply multiple coats for saturation. Add a small bright yellow dot for high contrast. Step 10: Applying Matte VarnishFinish by applying a coat of ultra-matte varnish to even out the surface and remove shine. Explore more tutorials Liked this video? Check out all my latest subscriber videos by clicking the thumbnails below, or explore more freebies by clicking here [...]

How to Paint a Howling Banshee

These videos show how to paint an Aeldari Howling Banshee to a high level tabletop standard, ideal for a commanding presence in your army or for smaller game systems like Kill Team. Part One – How to Paint a Howling BansheeMaterials NeededPaints NeededStep-by-Step Tips and GuidePart Two: How to Paint a Howling Banshee WeaponMaterials NeededStep-by-Step Tips and Guide – Green NMMMore Video Tutorials Part One – How to Paint a Howling Banshee This session focuses on achieving a detailed, bone-coloured armour synonymous with Howling Banshees. All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Materials Needed Aeldari Howling Banshee Miniature Brushes: Various sizes, including a size two for base coating and size 00 Artist Opus (or equivalent) for detail work. Paints Needed Games Workshop Paints: Base Colours: Morghast Bone, Ushabti Bone, Screaming Skull, Mephiston Red, Sotek Green Shades and Glazes: Mournfang Brown, Darkoath Flesh (Contrast), Contrast Medium Highlight and Detail Colours: Evil Sunz Scarlet, Corvus Black (for black areas) Vallejo Paints: Basalt Grey, Pale Grey Blue, Ice Yellow (for non-metallic metals) P3 Paint: Morrow White (or any white for extreme highlights) Step-by-Step Tips and Guide Base Coating and Stippling: Prime the miniature and begin with a stippling technique using Morghast Bone and Ushabti Bone. Apply the paint thinly and evenly with a dry brush for a smooth base. Adding Depth with Contrast Paint: Mix Darkoath Flesh (Contrast) with Contrast Medium and apply over the stippled areas for added depth. Refining Armour with Stippling: Progressively build up highlights with Ushabti Bone, Screaming Skull, and Morrow White. Focus on light placement to enhance features, keeping the paint watered down for a soft finish. Glazing for Shadows: Thin down Mournfang Brown considerably and apply in recesses to deepen shadows. Painting the Eyes and Non-Metallic Metals: Use Sotek Green, Ice Yellow, and Basalt Grey for non-metallic metal areas, ensuring the correct placement of light and reflections. Hair and Cloth Details: Base the hair with Mephiston Red, building up highlights with Evil Sunz Scarlet and white. For the black areas, create subtle highlights with Basalt Grey and Pale Grey Blue, avoiding an overly grey appearance. Final Touches: Refine details, adjust highlights, and ensure a balanced, cohesive look. Part Two: How to Paint a Howling Banshee Weapon The Aeldari Howling Banshee’s power weapon will have a non-metallic, yet luminous green effect. This method involves intricate layering and stippling to simulate reflection. We’ll primarily utilise Cybrite Green from Games Workshop, blended with various quantities of black for shadows, and Vallejo’s Ice Yellow for the highlights. Materials Needed Cybrite Green (Games Workshop) Black (Vallejo Model Colour) Ice Yellow (Vallejo) Evil Sunz Scarlet (Games Workshop) Wild Rider Red (Games Workshop) Fire Dragon Bright (Games Workshop) Morrow White (P3 or any alternative white) A fine brush A wet palette Step-by-Step Tips and Guide – Green NMM Base Layer: Firstly, coat the power weapon in black, creating a pristine base. Green Layering: Blend Cybrite Green with a touch of black. Apply this darker green shade to parts of the weapon less exposed to light. Incrementally integrate more black into the mixture for creating deeper shadows, ensuring smooth transitions. Highlight Application: Form lighter shades by mixing Cybrite Green with small increments of Ice Yellow. Gradually apply these on the weapon’s raised and edge areas, depicting where light naturally strikes. Keep your paint mix slightly thinned for better control during layering. A recommended mix is two parts water to one part paint. Texture via Stippling: With the lighter green mixes, stipple the surface to generate a textured, reflective look. The density of the dots correlates with the opacity. Reflections Definition: Under a lamp, observe the natural light reflections on the blade. Mimic these on the blade’s upper portion using lighter green shades, ensuring they’re the most luminous parts. Finalising Highlights: Employ white or the palest green mix for the highest light points. Apply these sparingly as minute dots or slender lines to achieve a sparkling effect. Gemstone Painting: For red gems: Start with Evil Sunz Scarlet, augment with highlights using Wild Rider Red and Fire Dragon Bright, mainly on the gems’ lower areas. Cap off with an Ice Yellow or white dot atop each gem for reflection. For the blue gem: Adopt a similar approach, starting with Sotek Green and progressively incorporating white for highlights. Refinement and Adjustment: If needed, use glazes (diluted paint) to soften transitions or reintroduce colour in areas where over-highlighting may have occurred. Continuously evaluate and tweak the intensity and positioning of highlights to achieve a balanced and realistic reflective appearance. More Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “friend” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Desolation Dark Angel

This video tutorial and step-by-step guide shows how to paint a Desolation Dark Angel, one of the new Desolation Marines from the Strike Force Agastus, which was sent to me by Games Workshop. Read on for a full video, lots of tips and full materials and paints list. Video Tutorial – Desolation Dark Angel Materials: Vallejo Model Colour (New): Angel Green, Charcoal, Toxic Yellow, Black, Turquoise, Aquamarine, Grunge Brown, Orange Fire, Nocturnal Red, Scarlet Blood Games Workshop: Darkoath Flesh (Contrast), Contrast Medium Two Thin Coats: Plate Armour, Dragon’s Gold P3: Morrow White Steps: Base Coat:Mix Angel Green and Charcoal (50:50 ratio).Apply this mix over the entire model using a large dry brush or makeup brush.Water the paint down slightly for a smoother application, aiming for a 50:50 water-to-paint ratio. Layering:Apply straight Angel Green on top, using a kitchen roll to dab off excess paint for a thin layer.Focus on light volumes, covering flat surfaces more than edges. Metallics:Paint metallic areas using Two Thin Coats’ Plate Armour and Dragon’s Gold.Thin these slightly for better flow and coverage. Red Details:Use Nocturnal Red and Scarlet Blood for red areas, like the gun.Mix them for a base layer, then use Scarlet Blood mixed with a bit of white for highlights. Adding Depth:Use Vallejo Black for shading and defining darker areas. Highlighting Armour:Create three mixes on your palette: pure Angel Green, a 50:50 mix of Angel Green and Toxic Yellow, and a majority Toxic Yellow with a small amount of Angel Green.Apply these mixes progressively, starting with the darkest and moving to the lightest for highlights. Use a brush control technique similar to edge highlighting. Contrast and Washes:Apply Darkoath Flesh (Contrast) selectively, followed by Contrast Medium for dilution in specific areas.Use Nuln Oil for metallic parts to create depth. Detailing Metallics:Add highlights to metallic areas using a mix of Plate Armour and white. Eyes and Lenses:Paint eyes with a base of Nocturnal Red, adding highlights with a mix of Scarlet Blood and white.Use a small white dot for reflection. For lenses, use Turquoise mixed with Charcoal, then highlight with Aquamarine and pure white. Final Touches:Add fine scratches and details using lighter shades of the base colours.For the belt, use Grunge Brown base and Orange Fire for highlights. Basing:Apply PVA glue and sand.Once dry, wash with Agrax Earthshade and apply weathering powder. More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Sylvaneth Gossamid Archer with Contrast Paints

How to Paint a Squigboss from the Gloomspite Gitz with Two Thin Coats (Duncan Rhodes) Paints!

This video shows you how to paint a Squigboss from the Gloomspite Gitz army for Age of Sigmar. The model was painted exclusively using Two Thin Coats paints.In this how to paint a Squigboss video, we’ll be doing something a bit different. I’ll guide you through the process of painting the Squig boss, generously sent to me by Games Workshop. Alongside, I’ll be reviewing a set of paints I personally purchased, intrigued by reviews—the Two Thin Coats series by Duncan Rhodes. These paints will exclusively adorn our Squigboss, and I’ve procured them independently. So, no sponsorships or freebies; it’s all about exploring these paints. Now, let’s get started! All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). The following paints were used:Two Thin Coats: Two Thin Coats: Doom Death Black, White Star, Etheral Green, Carcharodon Grey, Dark Sun Yellow, Skulker Yellow, Skeleton Legion, Demon Red, Scorched Earth, Dragon Fang, Boar Hide, Sanguine Scarlet, Dwarven Skin, Marine Blue, Orange Flare, Emerald Green, Wolf Grey, Fanatic Orange, Cuirass Leather, Berserker Red Tips on how to paint a Squigboss with these paints! Base Coat with Boar Hide Colour:Initiate with the “Boar Hide” shade, akin to Games Workshop’s Mournfang Brown, serving as the foundational coat for the entire Squig boss model. Non-Metallic Metal Gold Face Mask:I’ve gone for a non-metallic gold style for the goblin’s face mask, utilising the unique properties of the Duncan Rhodes Two Thin Coats series.Apply the same colours used for the face mask on the staff, creating a non-metallic metal effect. Note differences in technique for different areas. Adapting to Paint Properties:The paints seem quite nice to work with. Thinning is essential, however, and adapting to the colours’ strength becomes a creative challenge. Use Translucent Marks for Subtle Effects:Experiment with translucent or softer marks by thinning the paint more. This technique can be effective for creating subtle details but requires precision in application. Be Mindful of Paint Strength:As mentioned, the colour strength might be stronger than anticipated, so be cautious when adding subtle marks. Adjust as needed to avoid overpowering the model with vibrant colours. Varied Application Techniques:Explore different application techniques for varied textures and effects. The angular features of the model complement the paints’ adaptability very well and allows for creative highlighting and detailing Matte Finish and Dark Tones:Consider a matte finish for the model to achieve a pastel look. Embrace the dark and yellow tones for added depth and character. Diverse Colour Palette for Highlights:Incorporate a diverse colour palette, such as Dark Sun Yellow, for highlighting and detailing, providing a unique touch to gold and other elements. The matte finish and the richness these paints bring to dark and yellow tones is great. Quick Scratches and Detailing:Create quick, sharp scratches and detailing, adding interest to specific areas without the need for extensive blending. Quick and sharp detailing becomes a breeze with these paints, making them ideal for adding interesting detail without the need for laborious blending. Highlighting with Translucent White:Use translucent white for highlighting, applying small amounts to achieve a subtle effect. Ensure quick application to prevent drying before reaching the model. Colour Variations for Textures:Experiment with different colours for textures, adapting to the model’s features. Allow the varied palette to enhance details and bring out the intricacies. The paints are good at bringing out intricate details. Teeth Detailing:Detail the teeth with simple lines, complementing the skin fold creases. Use the extra detailing to fill spaces and add interest without smoothing transitions. Remember, the beauty lies in adapting and exploring the properties of the paints. Happy painting! Free Video Tutorials More free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Castellax from the Mechanicum Battle Force Box

This video guide and full instructions will walk you how to paint a Castellax model from the Mechanicum Battle Force box set. The goal is to achieve a high-quality tabletop standard using quick, repeatable techniques—no airbrush required! The process focuses on achieving a grimy, weathered look that complements a Death Guard army. Video – How to Paint a Castellax from the Mechanicum Battle Force Box Paints and Materials Needed Paints: Games Workshop: Balor Brown, Morghast Bone, Screaming Skull, Darkoath Flesh (Contrast), Contrast Medium, Sotek Green, Sybarite Green, Warpstone Glow, Moot Green, Flash Gitz Yellow Vallejo: Model Colour Black Scalecolour: Necro Gold Pro Acryl: Light Bronze Metallic P3: Morrow White Brushes: Artis Opus Size 4 (Worn-out brush for stippling) Artis Opus Size 3M (Shorter bristle brush for dry brushing) Size 0 brush (for detailing) Size 00 brush (for fine details) A piece of dense foam (for sponge chipping) Step 1: Preparation Begin by assembling the model, leaving the legs separate from the torso to make painting easier. This is a common technique to manage sub-assemblies, allowing easier access to harder-to-reach areas and making the model more manageable to hold. All I’ve done there is put some sprue glue and I’d left that to dry so I hadn’t sanded that down perfectly smooth here because the shoulder pad’s coming two parts and you can clearly see how one part connects to the other, but they are glued onto the model at the moment. While it’s possible to leave the shoulder pads off to make painting easier, it’s up to personal preference. Some may find that too many sub-assemblies can result in scattered parts and unfinished projects. If you do decide to leave them off, it will make painting these parts slightly easier, especially when it comes to avoiding overspill. Step 2: Base Coat Prime the model with a black base coat using Vallejo Model Colour Black. This forms a solid foundation for the metallic and armour colours, ensuring good coverage and depth in subsequent layers. “The first thing we’re doing is using some scale colour necro gold… I haven’t really watered it down too much… you want it reasonably runny but not too runny.” Ensure the base coat is smooth and even, as this will help the metallics and other layers adhere better and produce a cleaner finish. Step 3: Metallic Base Use Scalecolour Necro Gold to cover all metal areas of the model. Apply this using a stippling technique with a worn-out Artis Opus Size 4 brush. The goal here is to create a textured, weathered look on the metallic areas. Be cautious with the thickness of the paint to avoid unwanted texture buildup, as you only want the paint to create a visual texture, not a physical one. “You’re just doing that all over all the metal areas on the model… be careful of physical texture buildup… the only texture you want really on the model is painting texture, not three-dimensional thick paint texture.” Next, use Pro Acryl Light Bronze Metallic to highlight raised areas. Focus on prominent features like the dome of the head, flamer nozzles, and the edges of the armour. Switch to a Size 3M Artis Opus brush for more control, as its shorter bristles help achieve a smooth application with this dry brushing technique. “This is a little bit thinner than the Necro Gold and the idea with this is you’re doing a very similar kind of process with it… don’t go too crazy with the light bronze because it is a very light colour; it almost looks silver when you apply it.” Step 4: Clean Up Once the metallics are dry, use Vallejo Model Colour Black to go back over any areas where metallic paint has spilled onto the armour panels. This clean-up step is crucial for keeping the final look neat and avoiding metallic flakes showing through when painting the armour colours. “When I was painting the metal I didn’t care where the paint got onto armour panels… it makes the process much quicker, and you don’t have to worry… just keeps everything looking neat.” Take your time with this step to ensure all overspill is covered, particularly in recesses and around edges where the metallics might have spread. Step 5: Armour Panels Start by applying Games Workshop Balor Brown, thinned with water in a 1:1 ratio. Stipple this over all armour panels using the Size 3M brush. This technique creates a textured, weathered effect that forms the base layer for the armour. “You’re basically covering all of the armour panels with that stippling effect… a large brush makes it hard to paint in some of these recess areas without getting the paint onto the metal.” Next, apply Games Workshop Morghast Bone in the same manner, focusing on the curves and raised areas of the armour. The goal here is to start building up lighter areas, enhancing the depth and contrast on the model. “You want the area to look darker in the recesses anyway… making sort of like a very soft light volume onto the armour.” Finally, highlight the most prominent areas with Screaming Skull. As you progress to lighter colours, apply the paint more carefully, focusing on areas where light naturally hits the model, such as the tops of the shoulder pads, the chest, and the front-facing parts of the armour. “We’re trying to get those highlight positions and be a little bit more accurate with it… you want to rotate the brush around a little bit and you also want to make sure that when you dab the brush onto the model you have it straight on.” Remember to dab off any excess paint on kitchen roll before applying it to the model to avoid blobs or streaks. Step 6: Applying Wash Mix Darkoath Flesh Contrast with Contrast Medium in a 1:1 ratio. Apply this wash over the entire model, covering both the armour and metallic areas. This step is essential for toning down the highlights, blending the colours, and adding a grimy effect that suits the model’s aesthetic. “If you use water, you will actually destroy the effect the way that the contrast paint works… it will give a very smooth, clean finish all over.” Be mindful of pooling, especially in recesses. Use a clean brush to wick away any excess wash from these areas to maintain the model’s detail. Contrast paint is slightly thick, so if you have a big pool of contrast paint, it will dry and it will just start to kind of gloss over some of the details. Step 7: Decals and Further Weathering If using decals, apply them at this stage. Use Micro Set to position them and ensure they blend seamlessly with the surface. For a more integrated look, consider applying the decals before the Darkoath Flesh wash so that they naturally blend into the model’s finish. After the decals are in place, stipple Morghast Bone along their edges to simulate chipping and wear, especially around the corners and where the decals might receive the most damage. Finally, apply another layer of the Darkoath Flesh wash over the decals to blend them further and reduce the starkness of the decal’s edges. Step 8: Sponge Chipping Thin Games Workshop Rhinox Hide with water in a 1:1 ratio. Use a piece of dense foam (such as that from old Warhammer clamshell packs) to sponge this onto the edges and areas likely to receive wear and tear. Focus on creating an irregular, natural pattern, with more chipping towards the front and the edges of the armour. “You want to pay attention to the position of the weathering… it’s very easy to rub an edge against something, whereas the flat surface is less likely to get any damage.” Before applying, dab the sponge on kitchen roll to remove excess paint. This prevents the foam from dumping too much paint onto the model, which could create an unwanted texture buildup. “When you put the foam into the paint, you need to dab it off on some kitchen roll… you want to remove the excess paint.” Step 9: Detailing Using a Size 00 brush, paint fine scratches and streaks with Rhinox Hide. Place these near areas likely to see heavy use or impact, such as around weapons or sharp edges. This step adds realism and depth to the model by simulating wear and tear. For larger chips created during the sponge chipping, consider adding a highlight line with Morghast Bone on the lower edge of the chip to simulate light catching the edge of the flaked paint. “Picking out a few edges here and there… it makes it look like a chip and the light’s catching the flake of paint.” Run the side of your brush along the edges of the armour to create subtle highlights, but focus primarily on upward-facing edges where light would naturally hit. Step 10: Grimy Weathering For added grime, especially around weapons and heavily used areas, use undiluted Darkoath Flesh. Apply this carefully, building up layers to simulate dirt, grease, and other battlefield detritus. Focus this application near the front of the model, Step 11: Further Grimy Weathering For added grime, especially around weapons and heavily used areas, use undiluted Darkoath Flesh. Apply this carefully, building up layers to simulate dirt, grease, and other battlefield detritus. Focus this application near the front of the model, particularly around the chainsaw blade hands, where the most action would occur. If desired, you can mix a bit of red into the Darkoath Flesh to create a fresher, bloodier effect, adding another layer of realism to the model’s grimy appearance. Step 12: Verdigris (Optional) To add a verdigris effect to the metal areas, mix Sotek Green and Sybarite Green in a 50:50 ratio, then thin it heavily with water (4:1). Apply this wash into the recesses and areas where water might naturally collect, simulating the patina of aged copper. If you want to push the verdigris further, add a touch of white to the mix for the most extreme recesses, but be careful not to overdo it as it can make the effect too opaque. Step 13: Metallic Highlights Reapply the Light Bronze Metallic sparingly to the highest points of the metallic areas to restore some shine lost during the wash step. This should be done with a very fine brush and thinned paint (2:1 water to paint) to maintain control and avoid overpowering the subtle weathering. Step 14: Lenses (Optional) For the lenses, start with Warpstone Glow, then layer Moot Green, followed by a final highlight with Flash Gitz Yellow. This creates a gradient effect that mimics light shining through the lens. “This makes it slightly less shiny… it just depends on how you want to do it; I just like the way this looks personally.” Finish by adding a small white dot in the top left corner of each lens for a reflective effect, bringing the lenses to life and adding a focal point to the model. Final Touches and Further Tips As you finish your Castellax, take a moment to review your work and touch up any areas that may need it. Focus on ensuring your highlights are consistent, your grime looks natural, and that the overall effect is cohesive and fitting with the rest of your army. Further Tips: Patience with Stippling: When stippling, less is often more. Build up your layers gradually and step back occasionally to check the overall effect. This prevents overworking the model and keeps the texture subtle and realistic. Experiment with Washes: The mix of Contrast Medium with Darkoath Flesh can be adjusted to suit your preference. A thicker wash will give a grimier look, while a thinner wash will maintain more of the underlying colour. Don’t be afraid to experiment on a test model or a hidden part of the figure. Edge Highlighting: For a clean and professional finish, take your time with edge highlighting. While it may seem tedious, careful edge highlighting can significantly enhance the depth and definition of your model, making it stand out on the tabletop. Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Rotbringer Sorcerer

In this tutorial, we’re diving into the wonderfully grim world of Nurgle as we explore how to bring the Rotbringer Sorcerer from Age of Sigmar to life with vivid detail. Whether you’re a seasoned painter or just starting out, this step-by-step guide will equip you with techniques and tips to get going. Video: How to Paint a Rotbringer Sorcerer – Part One: All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Video: How to Paint a Rotbringer Sorcerer – Part Two Materials and Paints Primer: Badger’s Ultimate Primer Black Games Workshop Paints: Mephiston Red, Balor Brown, Yriel Yellow, Mournfang Brown, Corvus Black, Bugman’s Glow, Cadian Fleshtone, Morghast Bone, Screaming Skull, Trollslayer Orange, Rhinox Hide, Skeleton Horde Contrast Vallejo Paints: Basalt Grey, Ice Yellow, Neutral Grey, Pale Grey Blue (optional) P3 Paints: Morrow White Step-by-Step Guide to the Rotbringer Sorceror: Preparation and Priming: Fully assemble your Rotbringer Sorcerer and prime it with a black primer. For easier access to intricate areas, consider leaving the arm that holds the scythe detached during priming. Base Coating: Apply base coats using Mournfang Brown for wooden elements and Basalt Grey for the cloak and scythe blade. Bugman’s Glow is ideal for flesh areas. Apply these base coats roughly, aiming for coverage rather than precision. Skin Tones: Enhance skin areas with Bugman’s Glow, providing a rosy, dark flesh tone. Progress with Cadian Fleshtone for highlights, ensuring to thin your paints for a smooth finish. Wood and Metal Detailing: Utilise Balor Brown for initial wood highlights, transitioning to Mournfang Brown for added depth. For metallic areas like the scythe blade, start with Rhinox Hide, building up to Neutral Grey mixed with white for higher highlights. Create rust effects using Trollslayer Orange. Shading: Employ Corvus Black, adequately thinned, to add depth through shading across the model, focusing on recesses and shadowed areas. Detail Enhancement: Use Screaming Skull for edge highlights and detail work on scrolls and similar features. Maintain thin paint layers for refinement. Textures and Freehand Elements: Incorporate freehand elements like Nurgle symbols using Mephiston Red. Apply textures such as rust and wood grain using stippling techniques with Trollslayer Orange for rust and Morghast Bone for wood grain. Verdigris Effect: On copper elements, create a verdigris effect with Sotek Green mixed with white. Apply this judiciously to areas that would naturally show oxidation, steering clear of bright highlights. Candle Flames: Paint candle flames using Yriel Yellow, adding Trollslayer Orange to the tips. Blend these colours for a realistic flame appearance. Model Basing: Prepare a base that complements the model, using a mix of sand, poly filler, and paint it with XV-88, Morghast Bone, and weathering powder. Introduce grass patches for added realism. Final Adjustments: Revisit the Rotbringer Sorcerer for any last highlights or corrections. Use a precise brush for fine details, ensuring the paint consistency is suitable. Model Sealing: Once satisfied with the painting, apply a matte varnish to protect your work. Tips: Thin your paints for smoother layers and better control. Utilise an older brush for base coating and a newer, finer brush for detailed work. Regularly assess your work from a distance for adjustments. Experiment with light placement for dynamic highlighting and shadowing effects on your Rotbringer Sorceror. Initial layers don’t need perfection as they will be layered over with more detail. Show it off! As you progress, feel free to adapt and tweak techniques to suit your style. Good luck! When you’ve finished, why not pop into our Discord and show it off to other website members? 🙂 More Nurgle Tutorials More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Free Video Tutorial: How to paint OSL on the Vargskyr from Cursed City

This free video shows how to paint OSL on the Vargskyr from the Cursed City boxed game by Games Workshop with some easy to follow tips. The following paints were used on the modelGames Workshop: Warpstone Glow, Moot Green, Yriel Yellow, Baharroth Blue, Blue Horror, Contrast Skeleton Horde Vallejo: Basalt Grey, Neutral Grey, Black, Pale Grey Blue Top Tips on How to paint OSL on the Vargskyr Priming and Base Coat: Start by priming the model with an ultimate primer, like Badger primer, for a slightly satin finish.Use a black base coat for the OSL (Object Source Lighting) effect, as it provides high contrast.Begin with Warpstone, applying a couple of coats with an airbrush for the green glow. Adding OSL Effect: For a sickly look, hold the airbrush a bit further and add yellow to the warp stone glow.Rotate the model to ensure lighting works from multiple angles.Reduce the spray area and focus on the back with Baharroth Blue to enhance the OSL effect. Matte Varnish and Detail Restoration: Apply a coat of ultra matte varnish, like Lucky Varnish by Mig, to eliminate shine – this brings back detail lost in the varnishing process.Consider using multiple layers for a transition effect as layers build up. Fur Texture: Use Baharroth Blue for fur, but be cautious as it may create a high-contrast jump.Blend Pale Grey Blue into the fur for a smoother transition, applying thinner coats for textured effects. Face Highlights: Highlight the face, a major focal point, using Skeleton Horde as a guide for placement.Don’t worry about neatness; embrace the furry, textured nature of the model. Texture Effect Painting: Use a small brush for texture effect painting, but feel free to experiment with brush sizes.Maintain a wet paint mixture for precise dry brushing on fur, enhancing the model’s expressive nature.Accept some roughness in the paint as it adds character to a gaming model. Green Glow and Final Touches: Continue working on the green glow side, following the same process as the light side.Avoid excessive airbrushing for a clinical look; embrace expressive marks.Add a slightly darker gray colour to enhance details on non-glowing areas. Frame with Black Rim: Paint the model’s base with a black rim to frame and enhance the overall neatness.Consider the model’s orientation and adjust the painting accordingly to avoid missing details. Blue Light from the Other Side: Using Baharroth Blue, dry brush in the direction of the light to create a blue light effect.Maintain a consistent direction, capturing angles that highlight the green glow, face, and arm. Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “friend” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint A Blood Angel in MKVI Armour

This free video shows how to paint a Blood Angel in new Mark VI armour, from the Horus Heresy (make sure you are logged in to view!) Video: How to Paint A Blood Angel in MKVI Armour All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Paints and Materials: Games Workshop: Mephiston Red, Evil Sunz Scarlet, Wild Rider Red, Warboss Green, Moot Green, Mournfang Brown, Darkoath Flesh (Contrast), Contrast Medium, Forge World Weathering Powder Dark Sand. Vallejo: Black, Mecha Varnish Gloss, Mecha Varnish Matt, Metal Colour Burnt IronP3: Morrow White (Any White will do)BrushesArtis Opus: Series S size 1 and 00, Small Drybrush Step-by-Step: How to Paint A Blood Angel in MKVI Armour Preparation Clean Model: Ensure the model is cleaned of mold lines and primed. Drill the barrel for added realism if it hasn’t been done already. Assembly: Fully assemble the model before starting to paint. Base Coating Red Armor: First Layer: Start with Mephiston Red, diluting it to a 50/50 mix with water. Apply with a small drybrush or a large round soft brush, using a stippling motion to cover the armor. Second Layer: Apply Evil Sunz Scarlet to areas where light naturally falls, like shoulders and helmet, using a gentler stippling motion. Final Layer: Add Wild Rider Red to the brightest areas, but be careful as it’s a pinky-orange hue. This layer is just for the very highlights. Detailing Metallics: Paint metallic areas with Vallejo Metal Colour Burnt Iron. These metallics have good coverage, so there’s no need for a black undercoat. Once dry, apply a coat of gloss varnish (optional). Eyes: Start with Warboss Green for the base of the eye lenses. Add Moot Green over the Warboss Green, leaving some of the darker green visible around the edges. Mix Moot Green with a bit of white for the next layer, focusing on the central part of the lenses. Finish with a small dot of white in the center for the glowing effect. Black Areas: Paint any black parts like the bolter and the eyes. Shading Wash: Mix Darkoath Flesh (Contrast) with a bit of Contrast Medium and apply liberally over the model for shadows and depth. Use a clean brush to remove excess wash, especially in recesses. Highlights and Finishing Touches Red Armor: Revisit with Evil Sunz Scarlet and Wild Rider Red, focusing on areas where light hits to enhance the red color. For chips and scratches, use Rhinox Hide with a fine brush, adding tiny dots and lines to simulate battle damage. Metallics: Re-highlight with Burnt Iron to restore the metallic sheen. Base Cover with PVA glue and sand. Once dry, apply a brown wash and let it dry. Apply Forge World Weathering Powder Dark Sand for a dusty, battle-worn look. Varnishing Finish with a coat of Vallejo Mecha Varnish Matt for protection and a matte finish. Final Touches Detailing: Add any final details like highlighting edges or correcting overspills. Decals (Optional): If you have Blood Angels decals, apply them after the shading stage. More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Build a Skaventide Grey Seer

In this video and step-by-step guide, I’ll walk you through the process of building and preparing a Grey Seer miniature for painting. We’ll cover everything from essential tools and materials to step-by-step assembly instructions, ensuring you achieve a flawless finish on your model. Video: How to Build a Skaventide Grey Seer How to Build a Skaventide Grey Seer – Step by Step Gather Your Tools: You’ll need Godhand clippers (or similar), a scalpel, Tamiya Extra Thin Cement, and sprue glue (Tamiya Extra Thin Cement mixed with plastic sprue bits).Clean Your Model: Carefully clip out all the model pieces. Use your scalpel to scrape away any mould lines, always angling the blade away from the direction you’re moving to avoid cutting into the model. Take your time with this step.Remove Push-Fit Connections: Even though the model is push-fit, I cut off the connection points to avoid gaps and make painting easier. This makes for a cleaner fit. Assembly: Dry Fit: Before gluing, dry fit the pieces together to make sure everything lines up correctly.Glue Main Body: Apply a small amount of Tamiya Extra Thin Cement to the connection points and join the pieces together. Use gentle pressure to ensure a tight fit.Leave the Head: Don’t glue the head yet, as this will make painting easier. Gap Filling: Identify Gaps: Look for any gaps or seams in the model where the pieces join.Apply Sprue Glue: Carefully apply sprue glue to the gaps, being careful not to get any on areas you don’t want to fill. Use the tip of your scalpel to guide the glue and remove any excess.What’s Sprue Glue? Follow this link to learn more.Smooth Out: Once the sprue glue is dry, use a fine file or sandpaper to smooth out any rough edges.Your Grey Seer model is now ready for priming and painting! Additional Tips: Work in a well-ventilated area as the glues and paints can be toxic. If you accidentally get sprue glue somewhere you don’t want it, you can try to quickly remove it with extra thin cement. Take your time and don’t rush the process. The more care you take in the preparation stages, the better the final result will be. If you’re painting a whole army, consider cutting some corners to save time, but still aim for a neat and tidy finish. Now you’ve learnt How to Build a Skaventide Grey Seer, why not get started painting him? How to Paint a Skaventide Grey Seer My series of video tutorials on How to Paint a Skaventide Grey Seer! Watch Now If you don’t have an account here on my website, please sign up here! I have over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Free Video Tutorial: How to Paint Darkstrider (Tau) for Warhammer 40K

This video shows How to Paint Darkstrider, who is a Tau special character for 40k.We’re aiming for a stealthy and moody look, differing from the standard bright and clear artwork. Because of that, it’s essential to prime the figure in black for the deep, shadowy effect we’re going for. How to Paint Darkstrider – Video All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Materials Needed: Primer: Badger Ultimate Primer Black Paints: Games Workshop (XV-88, Balor Brown, Mephiston Red, Evil Sunz Scarlet, Macragge Blue, Yriel Yellow), Vallejo (German Grey, Black, White, Ice Yellow, Neutral Grey) Painting Steps: Priming: Begin by priming your miniature in black. This will enhance the darker, stealthy look of the character. Base Colours: Use XV-88 and Macragge Blue mixed with German Grey to create a desaturated base for the armour and cloth. This creates a dull, muted base, essential for the later stages of highlighting. Blocking In: Apply Vallejo Neutral Grey to areas that will become white. For black regions, use German Grey as your initial highlight. Remember not to overdo it, or you’ll end up with grey instead of black. Highlighting Armour: Start building highlights on the armour using a mix of XV-88 and German Grey, gradually adding less grey to each mix. Use a thin, 50:50 water-to-paint mix for a smooth transition. Focus on the chest and head for the brightest highlights, as they are the focal points. Face and Detailing: For the face, start with a base of Macragge Blue mixed with German Grey. Gradually add more blue and then white for highlights. Pay attention to the unique features of the Tau’s face, using the sculpt as a guide. Add detail and texture through your brushwork. Non-Metallic Gold Elements: Use XV-88 as a base for gold elements, highlighting progressively with Balor Brown and Ice Yellow. Remember, the brighter and larger your highlight, the shinier the gold will appear. How to Paint Darkstrider Lenses and Eyes: For the lens on the gun, start with Mephiston Red, adding Evil Sunz Scarlet and white for highlights. For Darkstrider’s eye, consider black with a yellow iris, as per the Warhammer animation. Final Touches: Check the overall miniature for balance in colour and highlights. Adjust and add final details as necessary. Remember, the model should look cohesive from all angles. Finishing: Once satisfied, you can finish your miniature with a suitable varnish to protect your work. Tips: Keep your brushwork consistent and controlled. Use a wet palette to keep your paints workable. Regularly step back and review your work for a balanced look. This process should give you a Darkstrider miniature with a stealthy, dark look, different from the standard bright Tau colour schemes. Enjoy your painting! More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Blood Bowl Bronze Mummy

How to Paint a Blood Bowl Bronze Mummy with weathered NMM bronze effects, bandages, clothing, NMM Skull and Skin! Scroll town to explore the two video tutorials in order, or quick jump to specific techniques and materials you might need. Video One – How to paint NMM Bronze with VerdigrisPaints and Materials NeededStep-by-Step Guide on How to Paint a Blood Bowl Bronze MummyVideo Two: Bandages, Clothing, NMM Skull, Skin and BasePaints and Materials NeededStep-by-Step GuideBandagesSkull (Non-Metallic Metal Gold)Clothing (Trousers/Pants)BeltSkinBase and Finishing Touches Video One – How to paint NMM Bronze with Verdigris All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Paints and Materials Needed Games Workshop: Mournfang Brown, Rhinox Hide, XV-88, Balor Brown, Sybarite Green, Gauss Blaster Green Vallejo: Ice Yellow, Pure White Step-by-Step Guide on How to Paint a Blood Bowl Bronze Mummy 1. Priming and Base Coating: Start with the model already primed in black. Apply Mournfang Brown (Games Workshop) roughly on the armour, focusing on areas that would naturally catch light. The application at this stage can be quite loose and liberal. 2. Layering for Texture: Proceed with XV-88 (Games Workshop), this time being more careful and refined in your brushwork. Focus on creating a weathered texture, interpreting the previous layer’s marks as damage or wear. Use the very tip of the brush for finer lines and stippling. 3. Detailing with Lighter Tones: Use Balor Brown (Games Workshop) to further enhance the details. At this stage, focus on the edges, rivets, and any other raised details on the armour. Remember, the aim is to create a three-dimensional effect, highlighting the lower edges of dents or imperfections to create depth. 4. Highest Highlights: Introduce Ice Yellow (Vallejo) for the brightest parts of the armour. Apply it sparingly and only on the most raised areas to create the illusion of light reflecting off metal. Be cautious with this step to maintain a realistic metallic look. 5. Glazing for Depth: If needed, mix Rhinox Hide (Games Workshop) with water to create a glaze. Apply this over areas that are in shadow or need to be toned down. This step helps integrate the highlights and creates a more cohesive look. 6. Applying Verdigris: For the verdigris effect, use Sybarite Green and Gauss Blaster Green (both Games Workshop). Thin these paints down considerably. Apply them mainly in recessed areas, joints, and crevices where verdigris would naturally accumulate. Avoid covering the highest highlights to maintain the metallic sheen. Technique Tips: Work in layers, building up from dark to light to create depth and realism. Focus on where light naturally hits the model, creating highlights that follow the form and curvature of the armour. In the verdigris step, less is more. It’s easier to add more verdigris effect than to remove it, so start with a light application and build up as neede Video Two: Bandages, Clothing, NMM Skull, Skin and Base All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Paints and Materials Needed Paints (Games Workshop): Mournfang Brown Rhinox Hide XV-88 Balor Brown Morghast Bone Ushabti Bone Death Korps Drab Hobgrot Hide (not recommended) Trollslayer Orange Paints (Vallejo): Ice Yellow Pure White Neutral Grey Brushes: Size 00 Artis Opus Brush (for detailed work) Size 2 Artis Opus Brush (for broader strokes and glazing) Other Materials: MiniNatur Moss Pads (for the base grass effect) Step-by-Step Guide Bandages Base Layer: Start with Mournfang Brown (Games Workshop) as a base layer for the bandages. Main Colour: Apply Balor Brown (Games Workshop) over the bandages. It’s recommended to use this instead of Hobgrot Hide for better coverage and a more desired effect. Highlighting: Use Morghast Bone and Ushabti Bone (both from Games Workshop) for highlighting. Focus on creating lines parallel to the bandages’ direction, paying special attention to the upper edges around the face for more detail. Shadows and Grubby Effect: Apply a thinned down Rhinox Hide (Games Workshop) in shadowed areas and to add a grubby effect to the bandages. Skull (Non-Metallic Metal Gold) Base Layer: Use Rhinox Hide (Games Workshop) as the base. Layering: Progressively layer with Mournfang Brown, XV-88, Balor Brown, Ice Yellow (Vallejo), and Pure White (Vallejo). Each layer should be smaller than the previous, creating a bright highlight effect. Refinement: Feather the edges of each layer for a smooth transition between shades. Clothing (Trousers/Pants) Base Colour: Mix Rhinox Hide (Games Workshop) with Neutral Grey (Vallejo) and apply as the base colour. Texture and Highlight: Create a scratchy, rough texture using a mix of Rhinox Hide, Grey, and Ice Yellow (Vallejo). Add white to the mix for final highlights. Belt Base Layer: Apply Rhinox Hide (Games Workshop) as the base colour. Detailing: Use Trollslayer Orange (Games Workshop) for the detailing, ensuring the paint is not too thick. Skin Base Layer: Use Death Korps Drab (Games Workshop) as the base layer for exposed skin areas. Highlighting: Gradually add white to Death Korps Drab for highlighting, focusing on the knuckles, fingertips, and muscle definition. Base and Finishing Touches Grass Application: The base is painted with Mournfang Brown (Games Workshop) and decorated with MiniNatur Moss Pads for grass. Final Adjustments: Ensure the consistency of the lighting and colour theme across the model. If you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint Weathered Armour Plate and Freehand Text

Two videos on how to paint weathered armour plate, complete with rust, scratches and chips and a simple freehand banner. You won’t need an airbrush for this tutorial. Video: Part One – Armour and Weathering Materials and Paints Needed Games Workshop Paints: Balor Brown, Yriel Yellow, Mournfang Brown, Rhinox Hide Vallejo Paints: Neutral Grey, Pale Grey Blue, White Brushes: Large dry brush (or makeup brush), fine detail brush, glazing brush (size 4 or similar) Accessories: Water for thinning paints, kitchen towel for wiping brushes, well palette Preparing the Model Clean and prime your Redemptor Dreadnought model. A light grey or white primer is recommended for bright colours like yellow. Base Coating with Stippling Technique Mix Balor Brown with water in a roughly 50/50 ratio. This will be your base layer. Stipple Balor Brown onto the armour panels using a large, round, flat brush. Aim for gentle touches to build up the texture without creating pronounced, three-dimensional brush marks. Allow the paint to dry fully before adding more layers. This creates a worn, battlefield-ready appearance. Glazing for Colour Depth Create glazes in your well palette by mixing Mournfang Brown and Yriel Yellow separately with water, using about 6-7 parts water to 1 part paint. Apply Mournfang Brown glaze to shade areas, starting from lighter areas and moving the brush towards darker regions. This adds warmth to the shadows. Apply Yriel Yellow glaze over the entire panel, focusing more paint towards the centre for a vibrant effect. Ensure to remove excess paint from your brush to avoid pooling. Chipping for Weathered Effect Use Rhinox Hide with a fine detail brush to create chipping along the edges of the armour panels where wear would naturally occur. Remember, less is more; avoid overdoing it with lines and crosses. Highlight the lower edge of each chip with Yriel Yellow to simulate the armour’s wear and tear, making the chips stand out more against the base layers. Detailing and Finishing Touches Rivets: Paint each rivet with a dot of Pale Grey Blue on the top left and a tiny line on the bottom right to simulate light reflection. Metal Exposure: Use Neutral Grey to paint areas where the metal beneath the yellow paint would show through, particularly around chips and edges. This technique helps redefine the model’s shape and adds dimensionality to the weathering. Final Highlights: Add a final touch by placing a small dot of White on the most prominent parts of the chips and rivets to enhance the reflective effect. Video: Part Two – Freehand Banner Materials and Paints Needed: Games Workshop Paints: Baneblade Brown, Rhinox Hide, Morghast Bone, Screaming Skull, Balor Brown Vallejo Paints: Model Colour Black Brushes: A smaller brush for initial sketching and detailing, and a larger brush for smoother finishes on larger sections. Other Supplies: Water for thinning paints, a palette for mixing, and kitchen towel for wiping off excess paint. Preparing the Banner: Base Layer with Morghast Bone: Begin by sketching the basic shape of the banner on the shoulder pad using Morghast Bone. This step involves creating the outline and filling in the banner. For larger sections, use a larger brush to achieve a smoother finish. Refining Edges: Use a smaller brush to refine the edges and the trailing ends of the banner. Aim for a shape that complements the space available on the shoulder pad, keeping in mind the overall design and avoiding overly stubby ends. Applying Shadow with Baneblade Brown and Rhinox Hide Mix: Mix approximately 50/50 Baneblade Brown and Rhinox Hide to create a shadow colour. Apply this mixture to add depth and shadow to the banner, especially along the edges and the banner’s folds. Highlight with Screaming Skull: To highlight the main body of the banner and give it a three-dimensional appearance, apply Screaming Skull, focusing on the central and raised areas. This step brings out the details and makes the banner stand out. Painting the Text: Sketching Text with Vallejo Model Colour Black: Using a fine detail brush and Vallejo Model Colour Black, begin sketching the text onto the banner. Start with basic shapes for letters and focus on spacing. The chosen word for this tutorial is “MORTIS.” Refining Letters: Once the basic spacing and shape are down, refine each letter for clarity and style. Adjust the thickness of the lines and add any stylistic flourishes to match the desired font. Consistency in line weight and style across all letters is crucial for readability. Correcting and Sharpening Edges: Use Morghast Bone and Screaming Skull to correct any overshoots or to sharpen the edges of the letters. This step allows for cleaner lines and more precise letter shapes. Final Touches: Weathering: To integrate the text and banner naturally with the rest of the model, apply weathering. Use Balor Brown to simulate chipped paint and wear on the banner and text. This step adds realism and character to the model. Applying Filters: A filter of heavily diluted Mournfang Brown and Yriel Yellow can be applied over the entire freehand work. This unifies the colours, softens the contrast, and gives the banner and text a worn look, blending them seamlessly with the model’s overall weathered appearance. More Free Video Tutorials More Free videos are available for for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Freehand Skull on Castellan Knight

A video tutorial with step-by-step guide on how to freehand a skull on Castellan Knight legplate, with advanced shading and patterns. This guide will take you through painting a detailed skull freehand on the shin panel of a Castellan Knight miniature from Games Workshop. We’re focusing on creating a striking skull design amidst a vivid background, with a two-part process that lays the groundwork for intricate background details to be added later. The process begins with modifying the shin panel for a smooth painting surface, followed by base colouring, sketching, and detailing the skull. Video: Freehand Skull on Imperial Knight Part One Materials Needed Brushes: Size 1 Artis Opus Brush (used throughout the video for detailed work) Paints: Games Workshop (Citadel): Rhinox Hide: Base sketching of the skull Balor Brown: Refining skull details Ushabti Bone: Highlighting the skull Ceramite White: Final highlights on the skull Wild Rider Red: Used for airbrushing the background (mentioned as part of the orange base) Troll Slayer Orange: Part of the airbrushed background Mournfang Brown: Used in shadows and for airbrushing background details Privateer Press (P3): Battlefield Brown: Alternative to GW Scorched Brown, used for shading Vallejo: Model Colour Black: For defining eye sockets and other dark areas on the skull Other Materials: Airbrush: For applying the base layer of the shin panel Scalpel: For modifying the shin panel to create a smooth surface Fine Grit Sandpaper: For smoothing the modified shin area Wet Palette: To keep paints hydrated and workable Water Container: For rinsing brushes Paper Towels: For brush cleaning and paint dabbing Preparation Tools: Filling Material: To fill in gaps after modifying the shin panel for a smooth painting surface Step-by-Step Guide Preparing the Surface Modify the Shin Panel: Begin by carefully removing excess detail from the shin panel using a scalpel. Fill in any gaps to create a smooth surface for your freehand painting. Although minor dimples might remain, they will be covered by the paintwork. Base Colouring Airbrush Background: Apply an airbrushed base layer using Wildrider Orange, Troll Slayer Orange, and a touch of Mournfang Brown for shadows. This creates a vibrant orange backdrop, setting a stark contrast for the skull. Sketching the Skull Outline with Rhinox Hide: Start sketching the skull using Rhinox Hide, focusing on getting the overall shape rather than detailed features like eye sockets or teeth. This stage doesn’t require perfection in symmetry or detail, as adjustments can be made later. Refine with Balor Brown: With Balor Brown, begin refining the skull’s structure, particularly around the temples, nose, and eye sockets. This layer adds dimension and prepares for detailed work. Detailing the Skull Highlight with Ushabti Bone: Use Ushabti Bone to start bringing out the highlights of the skull. This step involves building up from the darkest shadows to the lightest areas, considering the light source will be from the top left. Deepen Shadows: Apply Vallejo Model Colour Black to define the eye sockets and other deep shadows within the skull, enhancing the contrast and depth. Add Texture and Fine Details: Continue with Balor Brown and Ushabti Bone, applying very light, fine strokes to create texture and detail across the skull’s surface. Focus on asymmetry and imperfections for a more realistic appearance. Final Highlights with Ceramite White: Use Ceramite White sparingly to add the brightest highlights, concentrating on areas that would catch the most light. This step dramatically increases the contrast and brings the skull to life. Starting the Background Pattern Outline Pattern with Black: Begin outlining the background pattern, starting with simple geometric shapes and lines to create a non-symmetrical, maze-like design. This base pattern sets the stage for further detailing. Apply Initial Highlights: Initially, experiment with Fire Dragon Bright for highlights but plan to integrate the skull’s colours (Balor Brown, Ushabti Bone, Ceramite White) into the background for consistency. Finishing Touches Adjust and Refine: As the background pattern develops, continuously adjust and refine the design. Incorporate shadows and highlights to create depth and interest, using P3 Battlefield Brown for shading. Merge Skull and Background: Begin to subtly blend elements of the skull into the background pattern, ensuring the entire piece feels cohesive. Video: Freehand Skull on Imperial Knight Part Two Where we focus on refining the maze-like background detail introduced in Part 1, enhancing the overall visual appeal and integrating the skull into the pattern for a cohesive look. Materials Required: Brushes: A fine detail brush, ideally size 0 or 1. Paints: Games Workshop’s Wild Rider Red, Rhinox Hide, Ceramite White, Zamersi Desert, Ushabti Bone, Firedragon Bright, Abaddon Black, and P3’s Battlefield Brown (or Baneblade Brown as a GW alternative). Other Supplies: A wet palette for mixing paints, water for thinning paints, and kitchen paper for brush cleaning. Step-by-Step Guide: Review and Refine the Existing Pattern: Begin by assessing the pattern laid out in Part 1. Identify areas that require refining or adjustments to ensure a unified appearance across the entire shin armour. Adjusting the Pattern: Use a mix of Rhinox Hide and Battlefield Brown to refine areas needing adjustments. This may involve smoothing transitions between different sections of the pattern or altering shapes to better integrate with the overall design. Focus particularly on areas around the white dots and sections that appeared overly bright or disjointed in Part 1. The aim is to create seamless transitions between the skull and the background pattern. Enhancing Contrast and Depth: Apply thin glazes of Rhinox Hide in areas needing more depth, helping to highlight details and make the pattern more intricate. Increase contrast by selectively brightening areas with Zamersi Desert, followed by Ushabti Bone and Ceramite White for the highest highlights. This step is crucial for giving the pattern a three-dimensional look. Blending the Skull into the Pattern: To integrate the skull into the background, extend pattern elements over the edges of the skull. Use a fine detail brush and steady hand to draw lines and shapes that flow from the skull into the surrounding areas, unifying them. Final Highlights and Touch-Ups: Add final highlights with Ceramite White to the highest points of the pattern, enhancing the illusion of depth and detail. Review the piece for any areas requiring further refinement or additional highlights before sealing your work. Glazing for Cohesion: Create a glaze with Firedragon Bright and water for a thin consistency. Apply this over the entire pattern, especially where transitions need softening or colours unifying. The glaze will blend highlights and shadows for a cohesive look. Finishing Touches: Once the glaze has dried, reassess the effect. If necessary, redefine any details with base colours that may have been softened too much by the glazing. Sealing the Work: After ensuring the paint is completely dry, apply a matte varnish to protect your work. This also helps unify the finish across different textures and layers. More Free Video Tutorials More free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “friend” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Free Video Tutorial: Death Guard for the Horus Heresy

This video shows you how to paint a Death Guard marine for the Horus Heresy. This guide incorporates a mix of airbrushing and traditional painting techniques, ideal for achieving a weathered, battle-hardened look. Death Guard Horus Heresy – Video All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Materials Required: Death Guard Marine miniature, primed black Airbrush and Tamiya X20A thinner Paints: Games Workshop’s Mournfang Brown, Ionrach Skin, Yriel Yellow, Mephiston Red, Troll Slayer Orange, Rhinox Hide, Moot Green, Mortarion Grime (Shade), Vallejo’s Black, Burnt Iron Metal Colour, Pure White, and P3’s Iosen Green Brushes, including a large brush for applying washes and a fine detail brush Painting Steps: Base Coat: Apply Mournfang Brown using an airbrush, thinned with Tamiya X20A to ensure smooth application. If an airbrush is unavailable, a brown primer can be used as an alternative. Secondary Coat: Airbrush Ionrach Skin over the model. If the paint speckles, add more thinner to achieve a smooth finish. Focus on armour panels, allowing some brown to show in recesses for depth. Highlighting: Use Vallejo Pure White, thinned more heavily than the previous layers, to highlight areas such as the head, chest, and shoulder pads. Be selective, as the right shoulder pad will be painted green later. Metallic Parts: Paint all metal parts with Vallejo Burnt Iron Metal Colour. For better control and to prevent the paint from flowing into unwanted areas, let it thicken slightly in a palette before use. Black Areas: Use a black contrast paint to cover areas like the shoulder pad. This can be done with a large brush for speed and efficiency. A couple of coats may be needed for full coverage. Green Shoulder Pad: Airbrush Iosen Green onto the left shoulder pad, gradually adding Yriel Yellow to the mix for a bright front highlight, creating a transition from bright to dark. Shading: Saturate the model with Mortarion Grime shade using a large brush. Ensure an even coat and avoid pooling. The shade will naturally darken recesses and enhance details. Chipping Effect: Apply Rhinox Hide to simulate chips and wear on the armour. Focus on edges and surfaces that would naturally see wear and tear. This step adds realism to the model. Highlighting Chips: Using Vallejo Pure White, highlight the lower edges of the chips to create a three-dimensional effect. This step is particularly effective in making the chipping stand out. Weapon Details: Highlight the gun with Neutral Grey by Vallejo, focusing on upward-facing edges and adding scratches for realism. This adds contrast and depth to the weapon. Glowing Red Eyes: Start with Mephiston Red, followed by Troll Slayer Orange, and then highlight with Yriel Yellow. Finish with a small dot of Pure White in the centre for a glowing effect. Final Touches: Apply light highlights of Vallejo Burnt Iron Metal Colour on metallic surfaces for extra sheen. Use Forge World Dark Sand weathering powder on the feet for a dusty look. Tips for Success: Ensure smooth transitions when airbrushing by adjusting paint consistency. Use the chipping technique to add character and age to the model. Focus on focal points like the head and chest for your brightest highlights. Experiment with the thickness of your paint for different effects; thicker paint can achieve sharper lines and highlights. Be mindful of the lore and aesthetic of the Death Guard when choosing colours, especially for details like the eye lenses. Remember, the goal is to create a visually striking model that embodies the rugged and corroded nature of the Death Guard. Show it off! As you progress, feel free to adapt and tweak techniques to suit your style. Good luck! When you’ve finished, why not pop into our Discord and show it off to other website members? 🙂 Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “friend” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Legio Fureans Reaver

This video tutorial shows How to Paint a Legio Fureans Reaver (Tiger Eyes) from the Adeptus Titanicus game. I’ve done it as a gaming piece, but I’ll be doing a Warlord for a potential Golden Demon entry. All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Materials and Paints: Paints from Games Workshop (Yriel Yellow, Flash Gitz Yellow, Mournfang Brown, XV-88, Magos Purple Contrast, Technical Stormshield, Corvus Black, Sotek Green, Rhinox Hide), Vallejo (Dark Sea Grey, German Grey, Black, Metal Colour Burnt Iron, Metal Colour Chrome, Ice Yellow, White), and Scale 75 (Necro Gold). Oil Colours: Winsor and Newton’s Sansodor mineral spirit, Black, and Burnt Sienna. Primer: Badger Ultimate Primer in Black. Airbrush: Infinity CR Plus, set at about 30-35 PSI. Additional Tools: Mixing cups, a selection of brushes and a magnifying headset. Step-by-Step Guide: Priming: Start with a base coat of black primer. Airbrushing the Carapace: Dilute Yriel Yellow with Vallejo airbrush thinner. Apply several coats for a solid finish. Optionally, start with a base of XV-88 for a quicker yellow hue. Add depth with Mournfang Brown in recessed areas. Reapply Yriel Yellow for a smooth blend. Highlight the edges with Flash Gitz Yellow. Mix a bit of Mournfang Brown with Yriel Yellow for a gentler transition. Trim Painting: Apply Necro Gold, thinned down to about a 50/50 mix with water. Add depth with a wash of Aggrex Earthshade. Detailing with Black Flames: Hand-paint black flames using Model Color Black. Start with simple S-curves, then refine. Applying Decals: Apply a gloss varnish, then the decals with microset. Seal with matt varnish after drying. Oil Weathering: Apply Burnt Sienna oil paint for realistic streaking effects. Scratches and Dents: Use Rhinox Hide for scratches, followed by Ice Yellow on the lower edges for a 3D effect. Highlighting and Shading Trim: Reapply Necro Gold, then blend with Vallejo Chrome for brighter highlights. Use Wild Wood contrast paint for shading. Main Structure Painting: Stipple on Burnt Iron metallic colour. Add depth with a Magos Purple wash, followed by a diluted Mournfang Brown wash. Painting the Head and Lenses: Start with a black base, then layer up highlights with German Grey and Dark Sea Grey. Glaze over with Corvus Black to tone down and blend highlights. Paint the lenses with Sotek Green and white highlights. Finishing Touches: Apply final weathering, varnishing, and any additional detailing as needed. Richard’s Pro Tips: Patience is key when airbrushing. Build up the layers gently for a more professional finish. Experiment with brush strokes and blending to achieve your desired effect. Each miniature is a canvas for creativity – don’t be afraid to add your own flair! Always thin your paints for smoother application and a more refined look. Take breaks! Detail work can be taxing on the eyes and hands. More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Plastic Contemptor Dreadnought

In this guide you will be shown how to paint a Plastic Contemptor Dreadnought in Imperial First colours from the new Horus Heresy boxed game. Many of you were asking for help painting a model in this style without using an airbrush or oils – so here he is! Video: How to Paint a Plastic Contemptor Dreadnought All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). The following paints were used: Games Workshop: Mournfang Brown, Yriel Yellow, Darkoath Flesh (Contrast), Contrast Medium, Sotek Green, Forge World Weathering Powder Dark Sand. Vallejo: Black, Mecha Varnish Gloss, Mecha Varnish Matt, Metal Colour Burnt Iron P3: Morrow White (Any White will do) Step by Step Guide: How to Paint a Plastic Contemptor Dreadnought Initial Preparation Begin with assembling the Plastic Contemptor Dreadnought. Keep arms and backpack separate for easier painting. Prime your Plastic Contemptor Dreadnought in black to set the stage for the upcoming colours. Base Coating with Mournfang Brown Start with Mournfang Brown, heavily diluted with water for a translucent effect. Using a large brush, apply the paint in a stippling motion. This technique creates a mottled, weathered look on the model. Multiple thin coats are needed, around three or four, to achieve the desired coverage. Creating Highlights Mix P3 Morrow White (or any available white paint) with Mournfang Brown. This mixture is used for creating highlights on the model. Apply with a smaller dry brush for more controlled and precise placement of highlights, especially on areas like the chest and upper stomach. Adding Layers and Textures Progress with the painting by layering and texturing the model. Focus on building up colours gradually. Use the stippling method to apply these layers, which enhances the weathered and battle-worn appearance. Incorporating Uriel Yellow Uriel Yellow, diluted in a similar fashion to Mournfang Brown, is used next. It’s important to keep the brush damp, not wet, to avoid the paint running. Apply in a dabbing motion, focusing on areas where light naturally falls. This stage is crucial for developing the yellow hue characteristic of the Imperial Fist. Glazing and Fine Details Move to glazing layers using Uriel Yellow. This involves a thinner consistency and focuses on the model’s focal points like the head and chest. Pay attention to edges and hard lines, using a fine brush for precise application. Weathering and Final Touches For weathering effects, employ Rhinox Hide for chipping and damage marks. Apply these strategically across the model to create a realistic battle-damaged effect. Focus on edges and areas likely to receive wear. Enhancing Eyes and Metal Details Sotek Green is used for the eyes, creating a layered effect with a transition from green-blue to pure white. For metal parts, use Vallejo Metal Color Exhaust Manifold and Copper, applying carefully due to their fluid nature. Applying Transfers and Final Varnishing After applying decals or transfers, coat them with gloss varnish to blend them seamlessly into the model. Use Micro Set for applying and setting the transfers. Base Details Finish by creating a cohesive base using Forge World Weathering Powder Dark Sand. Apply multiple layers, interspersed with matte varnish, to build up a textured, grimy effect that complements your Contemptor Dreadnought Show it off! As you progress, feel free to adapt and tweak techniques to suit your style. Good luck! When you’ve finished, why not pop into our Discord and show it off to other website members? 🙂 More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint MKVI Imperial Fists

In this guide you will be shown how to paint MKVI Imperial Fists in Beakie armour, from the Horus Heresy. Video – How to Paint MKVI Imperial Fists All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Materials and Paints Used Games Workshop: Mournfang Brown, Balor Brown, Yriel Yellow, Mephiston Red, Wild Rider Red, Sotek Green, Forge World Weathering Powder Dark Sand. Vallejo: German Grey, Neutral GreyWindsor and Newton oil paints: Burnt Siena, Black, Sansodor mineral spiritVallejo: Mecha Varnish Gloss, Mecha Varnish Matt, Metal Exhaust ManifoldP3: Morrow White (Any White will do). BrushesArtis Opus: Series S size 1 and 00. Step by Step Guide – How to Paint MKVI Imperial Fists Base Coating with Mournfang BrownBegin by airbrushing or hand painting Mournfang Brown onto the miniatures, creating a solid base for subsequent layers. Highlight Placement Lighten Mournfang Brown with a bit of white, applying it to areas of natural highlights like upward-facing surfaces. Applying Yriel Yellow Over the pre-shaded miniatures, apply thinned Yriel Yellow, bringing out the Imperial Fists’ iconic yellow. Detailing with Mephiston Red Use Mephiston Red for the sergeant’s red head stripe, distinguishing the squad leader. Eyes and Weapons Paint eyes and weapon details black, setting the stage for later detailing. Metallic Elements Apply Vallejo Metal Exhaust Manifold to metallic areas, focusing on weapon coils and armour studs. Gloss Varnishing for Decals Apply a coat of gloss varnish over the miniatures to smooth the surface for decal application. Decal Application Carefully apply Imperial Fist decals, using microset for proper adherence and fit. Oil Washes for Depth Create a wash with Burnt Sienna, Black, and Sansodor mineral spirit, enhancing depth and worn appearance. Matte Varnishing After the oil wash dries, apply a coat of matte varnish to seal previous layers and prepare for final detailing. Enhancing Yellow Highlights Revisit yellow areas with thinned-down Yriel Yellow, creating bright focal points. Eyes and Plasma Effect Create glowing effects with Sotek Green mixed with white, applying to eyes and plasma details. Weathering with Rhinox Hide Add a battle-worn effect using Rhinox Hide for scratches and chips across the armour. Final Touches Add highlights to the red plume, enhance yellow details, and complete any final touches. Base Decoration Decorate the base with sand, PVA glue, Agrax Earthshade, and weathering powder for a realistic ground effect. Final Sealing Seal the model with a final layer of matte varnish to protect your work. Show it off! As you progress, feel free to adapt and tweak techniques to suit your style. Good luck! When you’ve finished the how to paint MKVI Imperial Fists tutorial, why not pop into our Discord and show it off to other website members? 🙂 More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint a Howling Banshee Triskele Weapon

This video shows how to paint an Aeldari Howling Banshee Triskele Weapon to a high level tabletop standard. The Aeldari Howling Banshee’s power weapon (the ‘triskele’ weapon) will have a non-metallic, yet luminous green effect. This method involves intricate layering and stippling to simulate reflection. We’ll primarily utilise Cybrite Green from Games Workshop, blended with various quantities of black for shadows, and Vallejo’s Ice Yellow for the highlights. Materials Needed Cybrite Green (Games Workshop) Black (Vallejo Model Colour) Ice Yellow (Vallejo) Evil Sunz Scarlet (Games Workshop) Wild Rider Red (Games Workshop) Fire Dragon Bright (Games Workshop) Morrow White (P3 or any alternative white) A fine brush A wet palette Step-by-Step Tips and Guide – Green NMM Base Layer: Firstly, coat the triskele weapon in black, creating a pristine base. Green Layering: Blend Cybrite Green with a touch of black. Apply this darker green shade to parts of the triskele weaponless exposed to light. Incrementally integrate more black into the mixture for creating deeper shadows, ensuring smooth transitions. Highlight Application: Form lighter shades by mixing Cybrite Green with small increments of Ice Yellow. Gradually apply these on the triskele weapon’s raised and edge areas, depicting where light naturally strikes. Keep your paint mix slightly thinned for better control during layering. A recommended mix is two parts water to one part paint. Texture via Stippling: With the lighter green mixes, stipple the surface to generate a textured, reflective look. The density of the dots correlates with the opacity. Reflections Definition: Under a lamp, observe the natural light reflections on the blade. Mimic these on the blade’s upper portion using lighter green shades, ensuring they’re the most luminous parts. Finalising Highlights: Employ white or the palest green mix for the highest light points. Apply these sparingly as minute dots or slender lines to achieve a sparkling effect. Gemstone Painting: For red gems: Start with Evil Sunz Scarlet, augment with highlights using Wild Rider Red and Fire Dragon Bright, mainly on the gems’ lower areas. Cap off with an Ice Yellow or white dot atop each gem for reflection. For the blue gem: Adopt a similar approach, starting with Sotek Green and progressively incorporating white for highlights. Refinement and Adjustment: If needed, use glazes (diluted paint) to soften transitions or reintroduce colour in areas where over-highlighting may have occurred. Continuously evaluate and tweak the intensity and positioning of highlights to achieve a balanced and realistic reflective appearance on the triskele weapon. Explore more Non-Metallic Metal Tutorials If you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint An Imperial Guard Armoured Sentinel

This video shows you how to paint an Imperial Guard Armoured Sentinel (Astra Militarium), which Games Workshop sent me as part of the new Army Box. Quick Jump to: Video Tutorial: How to Paint An Imperial Guard Armoured Sentinel Paints Used Step by Step Guide – How to Paint An Imperial Guard Armoured Sentinel Initial Setup Airbrushing the Base Coat Enhancing Highlights Weathering and Details Missile and OSL (Object Source Lighting) Final Touches and Highlights Metal Work and Final Weathering Video Tutorial: How to Paint An Imperial Guard Armoured Sentinel All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Paints Used Games Workshop: Daemonette Hide, Sotek Green, Yriel Yellow, Mephiston Red, Troll Slayer Orange, Mournfang Brown, Rhinox Hide, Moot Green Vallejo: Black, Ice Yellow P3: Morrow White, Iosen Green Step by Step Guide – How to Paint An Imperial Guard Armoured Sentinel Initial Setup Model Assembly: This Sentinel from the Imperial Guard Astra Militarum Army box can be built in various ways. Our focus is on the armored version with a plasma cannon and hunter-killer missile. The weapons aren’t glued for easier painting. Airbrushing the Base Coat Airbrush Settings: Use a 0.4 needle with PSI around 30. Thin ‘Daemonette Hide’ paint with Tamiya X-20A thinner. Application Technique: Aim for dramatic lighting with stronger opacity on the front cabin, top left, fading towards bottom right. Ensure smooth transitions, but don’t worry too much about perfection as weathering will cover minor flaws. Enhancing Highlights Mixing for Highlights: Gradually mix ‘Morrow White’ into the ‘Daemonette Hide’ mixture for highlighting, focusing on the dramatic light effect. Highlighting Method: Create a realistic lighting effect, brighter on the top left of each section. Weathering and Details Base Coating Metal Areas: Apply ‘Burnt Iron’ Vallejo metal color on metal parts and ‘Viking Gold’ from Scale 75 on decorations like aquilas. Weathering: Use ‘Mournfang Brown’ for rust-style weathering. Apply ‘Cyberite Green’ on gold areas for a Verdigris effect. Missile and OSL (Object Source Lighting) Missile Painting: Originally red, but later changed to black for better contrast with the OSL. OSL Technique: Start with ‘Mephiston Red’ for the plasma glow, then layer with ‘Troll Slayer Orange’ and ‘Yriel Yellow’ for intensity. Final Touches and Highlights Adding Details: Paint lenses using a progression from ‘Sotek Green’ mixed with white for a glowing effect. Armor Panel Highlights: Use the brightest highlight mix used earlier, focusing on the top left areas and incorporating into scratches for a realistic effect. Metal Work and Final Weathering Metallic Highlights: Reapply ‘Burnt Iron’ on metal parts for brighter edges. Final Weathering: Add rust effects with thinned down ‘Rhinox Hide’ and ‘Troll Slayer Orange’, focusing on edges and recesses. More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray More of my latest videos: [...]

How to Paint a Death Guard Scorpius Missile Tank

This video and step by step guide shows you how to paint a Death Guard Scorpius Missile Tank, blending traditional brushwork with optional airbrush techniques, ensuring a deeply weathered, battle-hardened appearance. Whether you’re a seasoned painter or just starting, this tutorial should and leave you with a striking addition to your Death Guard army. Quick Jump to: Video: How to Paint a Death Guard Scorpius Missile TankPaints UsedStep-by-Step GuidePreparation and PrimingStippling the Base LayersBuilding LayersAirbrushing (Optional)Detailing and WeatheringChipping EffectLenses and Vision SlitsFinal Weathering Video: How to Paint a Death Guard Scorpius Missile Tank All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Paints Used Games Workshop: XV-88, Hobgrot Hide, Morghast Bone, Ushabti Bone, Yriel Yellow, Mephiston Red, Troll Slayer Orange, Mournfang Brown, Rhinox Hide, Moot Green, Darkoath Flesh (Contrast), Contrast Medium, Athonian Camoshade Vallejo: Black, Ice Yellow, Burnt Iron Metal Colour P3: Morrow White, Iosen Green Step-by-Step Guide Preparation and Priming Model Assembly: Assemble the Scorpius missile tank but leave the missile pods and top unglued for ease of painting. Priming: Prime the model black. For an easier approach, consider starting with a brown primer. Stippling the Base Layers Stippling Technique: Use a large dry brush, like Artist Opus, to stipple on the paint. Start with a color like XV-88 from Games Workshop, diluted to about 50% with water. Application: Ensure the stippled paint reaches recesses but expect some natural variation in tone. Apply two coats for adequate coverage Building Layers Lightening the Base: Apply successive lighter shades of brown and bone colors (like Morghast Bone and Ushabti Bone), each time covering a smaller area to create a natural, textured fade from dark to light. Focus on Raised Areas: With each lighter layer, focus more on the raised areas, leaving recesses darker for contrast. Airbrushing (Optional) Airbrush Use: If desired, use an airbrush for a smoother finish on the lower two-thirds of the tank. Start with a light brown and gradually transition to white for a clean look. Detailing and Weathering Contrast Shading: Use Darkoath Flesh contrast paint mixed with contrast medium for shading. Apply it carefully, focusing on recesses and high contrast areas. Metallic Parts: Paint all metal areas with Vallejo Burnt Iron Metal Colour and then apply Athonian Camoshade for shading. Chipping Effect Chipping Technique: Use Rhinox Hide to create chips and scratches, focusing on edges and surfaces where wear is likely. Highlighting Chips: For added depth, highlight the lower edges of each chip with a lighter color like P3 Morrow White. Lenses and Vision Slits Painting Lenses: Start with a base color like Iosen Green, then add layers of progressively lighter shades, focusing on creating a reflective effect. Vision Slits: Begin with Mephiston Red, followed by layers of Troll Slayer Orange and Yriel Yellow for a glowing effect. Final Weathering Streaking: Create streaks with a heavily diluted brown paint, using vertical strokes for a natural rain-streaked effect. Weathering Powder: Apply dark sand weathering powder mixed with matte varnish for a realistic, powdery finish on lower sections. More Tank Tutorials! Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

How to Paint Leviathan Dreadnought Imperial Fist

This free video shows the Plastic Leviathan Dreadnought from Games Workshop and shows how to paint it using Imperial Fist Contrast paint and oil paint. Video: How to Paint the Leviathan Dreadnought All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely. You can also click the little “cog” and change the speed of the video, if I am going too fast (or slow!). Materials and Paints Used: Airbrush with a 0.4 needle Paints from Games Workshop (GW), Vallejo, Winsor and Newton, and P3 Winsor and Newton Sansodoor mineral spirit Vallejo Mecha Varnish (Gloss and Matt) Abteilung 502 Desert and Sand Pigment set Micro Set for decals Various brushes, including a small dry brush and a size 2 brush Water jar and wet palette Paints: GW: Mournfang Brown, Yriel Yellow, Sotek Green, Mephiston Red, Evil Sunz Scarlet, Wild Rider Red, Imperial Fist (Contrast), Rhinox Hide, Abaddon Black Vallejo: Neutral Grey, Black, Dark Blue Pale, Exhaust Manifold, Chrome Winsor and Newton: Burnt Sienna (oil paint), Black P3: Morrow White Step by Step Guide to Painting the Leviathan Dreadnought 1. Base Coating: Start by airbrushing Mournfang Brown on all armor panels. Thin the paint with Tamiya X-20A thinner for better flow. Airbrush at around 30 PSI. 2. Adding Highlights: Mix some P3 Morrow White into the Mournfang Brown along with a bit more thinner. Airbrush areas you want to appear brighter. This will affect the final yellow hue after applying Imperial Fist contrast paint. Precision is key for this step. 3. Final Highlights: Use P3 Morrow White (thinned) for the last layer of highlights. Aim for a smooth application, although some speckling is tolerable as the contrast paint will cover minor imperfections. 4. Applying Contrast Paint: Apply Imperial Fist Contrast paint over the armor. This will tie in all the layers and give a vibrant yellow finish. 5. Painting Black Areas: Start with Abaddon Black, gradually adding small amounts of white and thinner for highlights. Focus on curved areas for a natural lighting effect. 6. Metallic Sections: Paint all metallic areas with Vallejo Metal Color Exhaust Manifold. Apply it directly without undercoating in black to save time. 7. Adding Decals and Chipping: Apply decals using Micro Set on gloss-varnished areas. Then, paint chipping using Rhinox Hide. Be mindful of the order; it’s easier to apply yellow glazes before adding decals and chipping. 8. Weathering with Oils: Use Burnt Sienna oil paint for streaking effects. Apply the paint in blobs and streak down using a brush dampened with mineral spirits. For pin washing, use a mix of Burnt Sienna and Black thinned with mineral spirits. Focus on recesses and rivets. 9. Painting the Head: Airbrush the head with Mephiston Red. Freehand a stripe using Vallejo Dark Blue Pale mixed with white. Highlight the red areas with Evil Sunz Scarlet and Wild Rider Red. 10. Eye Lenses: Paint the lenses with Sotek Green, followed by a mix of Sotek Green and white for highlights. 11. Glazing Yellow Highlights: Use a glaze of Yriel Yellow mixed with water (4-5 parts water to 1 part paint) for bright highlights on the top of shoulders and other upward-facing surfaces. 12. Highlighting Chips: Mix Yriel Yellow with white and highlight the lower edges of chips. This is time-consuming but adds depth. 13. Claw and Exhaust Weathering: Dry brush the claw using a mix of Vallejo Chrome and Exhaust Manifold. Focus on the blade edges. Apply the same mix to the exhaust sections. 14. Applying Weathering Powder: Use the Abteilung 502 Desert and Sand Pigment set for the base and lower parts of the Leviathan Dreadnought. 15. Sealing with Varnish: Finish by covering the entire model with Vallejo Mecha Matt Varnish for a uniform and protected finish on your Leviathan Dreadnought. More Free Video Tutorials Free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

Unleashing the Power of Airbrushing: Painting the Iconoclast Titan

I’m excited to share my journey of painting the Warmaster Iconoclast Titan, a majestic model sent to me by Games Workshop. My focus is to highlight the crucial role of airbrushing in bringing this titan to life with the vibrant colours of the Legio Astorum, also known as the Warp Runners. Watch the Video The Importance of Airbrushing: Airbrushing is a game-changer in miniature painting, offering unparalleled smoothness and efficiency. It’s especially valuable when painting large models like the Iconoclast Titan, where traditional brushing might fall short. The fluidity of airbrush paints, like Vallejo’s Metal Color series, is perfect for both airbrushing and regular brushwork. The following paints were used: Games Workshop: Night Lords Blue, Calgar Blue, Mephiston Red, Balor Brown, Hashut Copper, Yriel YellowVallejo: Dark Sea Grey, White, Metal Colour Burnt Iron, Metal Colour Gold, Metal Colour Chrome, Mecha Gloss VarnishScale 75: Necro GoldAmmo: Ultra-Matt Lucky VarnishWinsor and Newton: Sansodor mineral spirit, oil colour Black, oil colour Burnt Sienna Badger: Ultimate Primer Black Initial Steps: Before diving into painting, it’s essential to prepare the model. I left off the armor plates of the titan to separately paint the skeleton with metallic colours and the armor panels with the distinctive Warp Runner scheme. Airbrushing Techniques: Base Coating: Starting with Vallejo’s Burnt Iron, I applied the base coat to the skeleton. Despite being formulated for airbrushing, its fluid nature worked well with a large, soft brush for a non-textured finish. Detailing with Copper: For the hips, I used Games Workshop’s metallic colour, applying it straight from the pot. This step required multiple thin coats for a consistent finish. Creating Verdigris Effects: I used oil paints to simulate the verdigris effect on the copper parts. Stippling the paint onto the model, I focused on crevices and rivets, where oxidation naturally occurs. Oil Washes: An overall wash of oil paints, mixed with spirits, added depth to the metallic parts. This technique requires patience, as it’s essential to allow the wash to dry completely, typically 24 hours. Highlighting with Chrome: Vallejo’s Chrome, another airbrush-focused paint, was used for highlights. Its liquid consistency demanded careful application to avoid flooding recessed areas. Colouring the Armor Panels: The real challenge and joy of airbrushing came alive while painting the armor panels. I started with Night Lords Blue, followed by Macragge Blue, both thinned with Vallejo airbrush thinner. The process involved covering entire panels with the darker blue, then focusing on upper sections and curves for the lighter blue, creating a pleasing visual gradient. Stripe and Flame Patterns: For detailed patterns like stripes and flames, I relied on masking techniques and freehand painting. Tamiya tape helped in creating crisp, clean lines for stripes, while freehanding flames allowed for a more organic and fitting look on the armor panels. Applying Decals and Weathering: After the base colours and patterns, I applied decals for additional detailing. This step required a steady hand and patience, especially when dealing with folded decals. Weathering was achieved with oil paints, enhancing the realism of the titan. Final Touches: Matte varnishing the model brought all elements together, providing a uniform look and protecting the paint job. For the trim, I chose to paint it with Scale 75’s Necro Gold, followed by weathering and sealing with a matte varnish. Airbrushing the Iconoclast Titan was a rewarding experience, showcasing the versatility and efficiency of this painting method. The ability to layer colours, create gradients, and apply washes and weathering with ease made airbrushing an indispensable tool in my painting arsenal. Whether you’re a seasoned veteran or a beginner, incorporating airbrushing into your miniature painting can elevate your models to new heights. More Free Video Tutorials More free videos for logged in members – just sign up as a ‘friend’ to view and click any of the thumbs.To explore all of these, visit this page! If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free “freebies” membership, or take the plunge and become a full subscriber for full access. If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]

If you don’t have an account, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore more free videos with a free membership, or take the plunge and become a full subscriber for full access.

If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray

Richard Gray Creations

Double Slayer Sword, and multiple Demon winning artist, Richard Gray. His latest work, news and tutorials online.

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