I’ve just uploaded three videos showing you how I created the Sigvald the Magnificent NMM Gold Armour! This video starts right at the basics, slowly layering the golden tones to create the shiny effect.
To watch the videos and follow the step-by-step guides, please click the below link!:
Sigvald the Magnificent
All of the tutorials for Sigvald the Magnificent, including NMM gold armour, face and horns, freehand shield, sword and hilt and more!
Painting NMM Gold Armour (non-metallic metal) can be both challenging and rewarding, especially when working on intricate models like Sigvald. To help you master this technique, here are some condensed top tips to get you started:
- Model Preparation: Begin by assembling your Sigvald model, using Blu Tack to temporarily hold parts together. Keep pieces like the head, shield, shoulders, and cloak separate for easier painting.
- Applying Base Coat: Start with a 50/50 mix of XV-88 and Flash Gitz Yellow, applying it with a worn-down brush for smoothness.
- Building Layers: Layer up gradually with thin paint (50% water mix) to avoid clumpiness and achieve the NMM gold effect.
- Creating Reflections: Pay attention to the model’s pose and how light reflects on various surfaces, such as the abs and chest.
- Adjusting Colour Tones: Tailor the colour tones to the character’s mood, varying from dark and moody to bright and shiny.
- Adding Random Reflections: Introduce varied reflections on different armour panels to enhance realism.
- Stippling Technique: Use stippling in certain areas to mimic distortion on the armour’s surface.
- Embracing Imperfections: Small imperfections can add to the realistic reflective nature of the armour.
For a more in-depth exploration of these techniques and to see them in action, I invite you to dive into my video tutorials. They offer a comprehensive guide, showcasing each step to elevate your NMM gold armour painting skills.
If you’d like to look at each part of the process of painting Sigvald the Magnificent individually simply click on the thumbs below to go directly to the videos:
Sigvald
All of the tutorials for Sigvald the Magnificent, including how to paint NMM (gold) armour, face and horns, freehand shield, NMM silver sword and hilt and more!
I was fortunate enough to be given one of the new Sigvald the Magnificent models to paint, so here he is! I converted him slightly so I could get some freehand on the shield. The armour is obviously NMM gold. All painted by hand, no airbrush.
Scroll down to explore the videos in order, or quick-jump to a technique or part of the model by clicking one of the below:
How to Paint: NMM Gold – Video Part OneVideo Part Two: NMM LegVideo Part Three: Shoulder and Lower Leg NMMTips: NMM GoldHow to Paint: Face and HornsTop Tips: Face and HornsHow to Paint: Sword and Hilt with NMM SilverTop Tips: Sword and Hilt with NMM SilverHow to Paint: Shield and FreehandHow to Paint: Shield and Freehand Part TwoTop Tips: Shield and FreehandHow to Paint: CloakTop Tips: Cloak
All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely.
How to Paint: NMM Gold – Video Part One
The following paints were used: Games Workshop: XV-88, Flash Gitz Yellow, Mournfang Brown, Rhinox Hide Vallejo: Ice Yellow, Black P3: Morrow White
Video Part Two: NMM Leg
The following paints were used: Games Workshop: XV-88, Flash Gitz Yellow, Mournfang Brown, Rhinox Hide Vallejo: Ice Yellow, Black P3: Morrow White
Video Part Three: Shoulder and Lower Leg NMM
The following paints were used: Games Workshop: XV-88, Flash Gitz Yellow, Mournfang Brown, Rhinox Hide Vallejo: Ice Yellow, Black P3: Morrow White
Tips: NMM Gold
Model PreparationBegin by assembling the Sigvald model, using Blu Tack (other tacks are available) to hold parts together temporarily.Note that the head, shield, shoulders, and cloak are separate pieces for ease of painting.Applying Base CoatUse a worn-down brush to apply a 50/50 mix of XV-88 and Flash Gitz Yellow for the base coat on the armour.Apply thin layers to achieve a smooth finish, as multiple layers will be needed.Building LayersContinue adding thin layers to build up the metallic NMM gold effect.Remember, use thin paint (50/50 water to paint) to avoid clumpiness.Creating ReflectionsConsider the model’s pose and the reflection of light on different surfaces.Apply reflections on abs, chest, and other areas, keeping in mind the model’s dynamic sculpting.Adjusting Colour TonesBe open to adjusting the colour tones as the painting progresses.Think about the mood or alignment of the character, changing the look of the armour from dark and moody to a brighter, shinier appearance to match the character where applicable.Adding Random ReflectionsIntroduce random reflections to different armour panels to create variation.Remember – armour doesn’t need to be uniform; different angles and shapes can reflect light uniquely.Stippling TechniqueUse a stippling technique for certain areas to simulate distortion on the armour surface.Keep the paint thin and be cautious not to overload the brush to maintain control.Embracing ImperfectionsAllow for imperfections, such as small marks, smears of dirt, or grease, to enhance the reflective nature of the armour.
How to Paint: Face and Horns
The following paints were used: Games Workshop: Cadian Fleshtone (Kislev Flesh and Ushabti Bone optional), Daemonette Hide, Temple Guard Blue, Mephiston Red, Balor Brown, Morghast Bone, Ushabti Bone, Screaming Skull, Rhinox Hide Vallejo: Pale Grey Blue, Black P3: Morrow White
Top Tips: Face and Horns
Primer and Base Colour: Utilise dark sea grey for the skin’s base tone, applied with an airbrush over a black primer to establish a foundation for the white hair.Skin Painting: Hand-paint the skin with a diluted coat of Cadian Fleshtone. The watered-down approach allows for layering and avoids the need for perfect opacity.Use a mirror and a lamp on your own face as a reference, to understand the natural direction of shadows on a face.Eyes: Consider painting the eyes first to tackle the tricky part early on.Start with a base of Pale Grey Blue for the whites of the eyes. Add a large black dot for the initial eye shape.Adapt and change the eye detailing as needed. In this case, a white reflection in the top left corner was chosen for a more interesting look.Face Highlights: Focus on creating smooth transitions in highlights, especially on cheekbones, brow, nose, and chin.Use small amounts of paint on the brush to avoid pooling and create delicate brush marks for a smoother look.Gradually build up highlights using mixes of Cadian Fleshtone and Morrow White.Lips: Mix in a bit of Mephiston Red with the flesh colour for a pinkish lip colour. Customise based on personal preference.Hair Highlights (Optional): Use white highlights on the grey hair to work out the brightness and contrast, even if it’s not the final look for the hair.Horn Painting: Paint the horns with a gradient, starting lighter towards the head and getting darker towards the tips.Maintain horizontal lines for the reflective shine, following the same light direction as on the face.Use a series of colours from mid-tone to a lighter shade, gradually making successive highlights smaller.Texture Details (Optional): Add texture by incorporating scribbly cross-hatching in specific areas, being cautious not to overdo it.Photograph Considerations: Apply a matte varnish at the end to eliminate shine and even out surfaces, especially for photographing the model.
How to Paint: Sword and Hilt with NMM Silver
The following paints were used: Games Workshop: XV-88 Vallejo: Neutral Grey, Pale Grey Blue, Ice Yellow, P3: Morrow White
Top Tips: Sword and Hilt with NMM Silver
Start with Neutral Grey: Apply neutral grey to the sword hilt on the black primer.Map out the top-down highlights on the detailed, curvy hilt.Consider the contrast between wet palette view and model view due to background colours.Mapping Light Points: Identify the curves and details on the hilt to map out the light points.Pay attention to upward and downward-facing curves as they catch and reflect light differently.Bounce Highlights with Neutral Grey: Add bounce highlights to downward-facing surfaces using neutral grey.These highlights simulate light bouncing off the floor or other surfaces.Enhance Contrast: Push the highlights further to increase contrast.Use the wet palette view as a guide, but consider over-highlighting to compensate for the black primer.Transition to Pale Grey Blue: Switch to pale grey blue to pick out the main highlight points identified earlier.Create a subtle transition to enhance the shiny effect.Introduce Ice Yellow: Apply ice yellow to add a warm glow to the highlights.This subtle touch helps tie in with the overall warm lighting on the model.Define Details with Ice Yellow: Use ice yellow to define details, especially on cylindrical shapes.Consider reflections and shadows to add realism.Bounce Highlights and Details: Continue adding bounce highlights, especially on top-facing surfaces.These highlights define the edges and shapes of the hilt.Fine-Tune with Black: Use black to enhance contrast in areas where the highlights may be too thick.Pay attention to the reflections and dark lines on cylindrical shapes.Final Touch with Ice Yellow Glaze: Thin ice yellow (2 parts water to 1 part paint) for a glaze.Apply a light glaze over the hilt to add variation and interest to the NMM.Tidy Up and Finalise: Spend some time tidying up the details.Add small yellow reflective highlights for extra realism.Reflective Highlights and Variations: Consider reflecting colours from the armour or surroundings.Experiment with adding subtle variations to the metal for a more interesting finish.
How to Paint: Shield and Freehand
The following paints were used: Games Workshop: Daemonette Hide, Cadian Fleshtone, Vallejo: Black, Ice Yellow
How to Paint: Shield and Freehand Part Two
The following paints were used: Games Workshop: Daemonette Hide, Cadian Fleshtone, Mephiston Red Vallejo: Black, Ice Yellow, Pale Grey blue P3: Morrow White
Top Tips: Shield and Freehand
Wet Palette Preparation: Begin with a wet palette to keep your paints hydrated.Utilise a variety of colours, including Daemonette Hide, Daemonette Hide and Flesh Tone mix, Cadian Fleshtone, Cadian Fleshtone mixed with Ice Yellow, and Ice Yellow.Base Work and Background: Commence by roughly blocking in the main shapes on the shield. Don’t worry about perfection at this stage.Use a flat black background to provide a canvas for your work.Freehand Technique: When painting freehand, it’s recommended to start with a messy application, focusing on getting the shapes in the right place.Consider the androgynous nature of the face and add subtle demonic elements.Work on defining features like cheekbones, eyes, and forehead gradually.Lighting Considerations: Plan for top-left lighting and be mindful of how it interacts with the background and the freehand.Avoid pre-painting the background shine to maintain consistency when adding lighting later.Refinement Process: Refine the face by adjusting shapes and proportions as you progress.Pay attention to the texture and subtleties in the paintwork, allowing for variations and imperfections.Use reference images of faces and lighting to enhance realism.Layering and Thinning Paint: Thin your paints to ensure smooth layering, especially as you’ll be applying multiple layers.Experiment with thinning ratios, but generally, aim for about one and a half to two times water to one part paint.Brush Techniques: Utilise different brushes for specific tasks. A newer brush for softer marks and an older one for larger, softer applications.Pay attention to the size of the brush tip for finer details.Adding Subtle Details: Introduce subtle details by lifting the brush to create dots where the paint is thinner, adding character to the piece.Experiment with depositing tiny dots of paint to create texture and shadows.Shading and Shadow Definition: Use darker colours like Daemonette Hide mixed with black for shadow definition.Consider the natural shadowing on curved surfaces, like the bottom of the chin.Final Touches and Tweaks: Continuously refine and tweak elements while the paint is still wet.Use excess paint dots to your advantage by pushing them around to achieve desired effects.
How to Paint: Cloak
The following paints were used: Games Workshop: Pink Horror, Night Lords Blue P3: Morrow White
Top Tips: Cloak
Base Coat: Start with a primed black undercoat.Apply a quick base coat of Pink Horror using an airbrush for a smooth and quick application.Spray at a slight angle to create a subtle shadow effect, indicating light direction.Mixing Colours: Mix colours on a wet palette.Gradually add successive amounts of white to Pink Horror for highlighting.Blocking In Highlights: Use a larger brush (size 4) for blocking in large highlight areas.If no airbrush, start with Pink Horror to block in colours before proceeding to highlights.Tools for Masking: Consider using therapy putty, available on Amazon, for masking.Other options include masking fluid or cling film, but be cautious as cling film may damage paint.Hand-Painting vs. Airbrushing: While airbrushing provides a smooth finish, hand-painting offers individuality and varied textures. Choose based on personal preference and desired effects.Brush Selection: Use a larger brush for initial blocking (size 4).Transition to a smaller brush (size 1) for finer details and creases on the cloak.Transitions and Blending: Ensure smooth transitions between highlights and shadows for a natural look.Soften edges using a smaller brush for a more realistic appearance.Glazing Technique: Create a glaze by adding water to paint on the palette (4-5 parts water to 1 part paint).Apply glaze towards the highlight, allowing extra paint to accumulate for a brighter effect.Drying Techniques: Use a hair dryer or heat gun for quicker drying, but be cautious with heat guns to avoid damage.Final Touches: Glaze towards the highlight for a smooth finish.Be mindful of applying too much thin paint to avoid “coffee stain” effects.
I hope you enjoyed these videos and good luck with your Sigvald (or any other model you are trying these techniques on). For more of my full character video tutorials, follow the links below:
If you don’t have an account and cant see the videos, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore free videos with a free membership, or take the plunge and become a full subscriber for full access.
If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]
A tutorial on how I painted the cloak for Sigvald the Magnificent, with full paints and some top tips to follow.
Video – How to Paint: Sigvald Cloak
The following paints were used: Games Workshop: Pink Horror, Night Lords Blue P3: Morrow White
Top Tips: Cloak
Base Coat: Start with a primed black undercoat.Apply a quick base coat of Pink Horror using an airbrush for a smooth and quick application.Spray at a slight angle to create a subtle shadow effect, indicating light direction.Mixing Colours: Mix colours on a wet palette.Gradually add successive amounts of white to Pink Horror for highlighting.Blocking In Highlights: Use a larger brush (size 4) for blocking in large highlight areas.If no airbrush, start with Pink Horror to block in colours before proceeding to highlights.Tools for Masking: Consider using therapy putty, available on Amazon, for masking.Other options include masking fluid or cling film, but be cautious as cling film may damage paint.Hand-Painting vs. Airbrushing: While airbrushing provides a smooth finish, hand-painting offers individuality and varied textures. Choose based on personal preference and desired effects.Brush Selection: Use a larger brush for initial blocking (size 4).Transition to a smaller brush (size 1) for finer details and creases on the cloak.Transitions and Blending: Ensure smooth transitions between highlights and shadows for a natural look.Soften edges using a smaller brush for a more realistic appearance.Glazing Technique: Create a glaze by adding water to paint on the palette (4-5 parts water to 1 part paint).Apply glaze towards the highlight, allowing extra paint to accumulate for a brighter effect.Drying Techniques: Use a hair dryer or heat gun for quicker drying, but be cautious with heat guns to avoid damage.Final Touches: Glaze towards the highlight for a smooth finish.Be mindful of applying too much thin paint to avoid “coffee stain” effects.
Continue painting Sigvald the Magnificent with my full tutorials…
How to Paint Sigvald the Magnificent with NMM
All of the tutorials for Sigvald the Magnificent, including how to paint NMM (gold) armour, face and horns, freehand shield, NMM silver sword and hilt and more!
Watch Now
If you don’t have an account and cant see the videos, please sign up here! The website currently has over 350 video tutorials, plus step by step guides and PDFs. You can explore free videos with a free membership, or take the plunge and become a full subscriber for full access.
If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGr [...]
Here is a close up of the freehand on the shield I painted for Sigvald the Magnificent! It was quite a fun piece, right up until adding the light at the end when it got a bit stressful! Read on for my tutorial videos on how I painted it, with step by step tips and full paints list.
How to Paint: Shield and Freehand
The following paints were used: Games Workshop: Daemonette Hide, Cadian Fleshtone, Vallejo: Black, Ice Yellow
How to Paint: Shield and Freehand Part Two
The following paints were used: Games Workshop: Daemonette Hide, Cadian Fleshtone, Mephiston Red Vallejo: Black, Ice Yellow, Pale Grey blue P3: Morrow White
Top Tips: Shield and Freehand
Wet Palette Preparation: Begin with a wet palette to keep your paints hydrated.Utilise a variety of colours, including Daemonette Hide, Daemonette Hide and Flesh Tone mix, Cadian Fleshtone, Cadian Fleshtone mixed with Ice Yellow, and Ice Yellow.Base Work and Background: Commence by roughly blocking in the main shapes for the shield freehand. Don’t worry about perfection at this stage.Use a flat black background to provide a canvas for your work.Freehand Technique: When painting freehand, it’s recommended to start with a messy application, focusing on getting the shapes in the right place.Consider the androgynous nature of the face and add subtle demonic elements.Work on defining features like cheekbones, eyes, and forehead gradually.Lighting Considerations: Plan for top-left lighting and be mindful of how it interacts with the background and the freehand.Avoid pre-painting the background shine to maintain consistency when adding lighting later.Refinement Process: Refine the face by adjusting shapes and proportions as you progress.Pay attention to the texture and subtleties in the paintwork, allowing for variations and imperfections.Use reference images of faces and lighting to enhance realism.Layering and Thinning Paint: Thin your paints to ensure smooth layering, especially as you’ll be applying multiple layers.Experiment with thinning ratios, but generally, aim for about one and a half to two times water to one part paint.Brush Techniques: Utilise different brushes for specific tasks. A newer brush for softer marks and an older one for larger, softer applications.Pay attention to the size of the brush tip for finer details.Adding Subtle Details: Introduce subtle details by lifting the brush to create dots where the paint is thinner, adding character to the piece.Experiment with depositing tiny dots of paint to create texture and shadows.Shading and Shadow Definition: Use darker colours like Daemonette Hide mixed with black for shadow definition.Consider the natural shadowing on curved surfaces, like the bottom of the chin.Final Touches and Tweaks: Continuously refine and tweak elements while the paint is still wet.Use excess paint dots to your advantage by pushing them around to achieve desired effects.
Have you got a Sigvald to paint? Follow my full Sigvald the Magnificent painting guide:
How to Paint Sigvald the Magnificent with NMM
All of the tutorials for Sigvald the Magnificent, including how to paint NMM (gold) armour, face and horns, freehand shield, NMM silver sword and hilt and more!
Watch Now
If you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free membership, or take the plunge and become a full subscriber for full access.
If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]
Tips, video and full step by step guide on how to paint Sigvald Sword Hilt in NMM Silver. The mighty Sigvald the Magnificent needs an equally impressive sword and silver provides good contrast to his gleaming golden armour.
Video – How to Paint Sigvald Sword Hilt in NMM Silver
Full Materials List
Brushes:Fine Detail Brush: A size 00 Artist Opus brush is recommended for precision in applying fine details and highlights.Paints:Vallejo Neutral Grey: The primary colour used for mapping out light points and creating the base layer of highlights.Vallejo Pale Grey Blue: Employed for refining and emphasizing highlight points.Vallejo Ice Yellow: Added to introduce a subtle warm tone to the highlights.P3 Morrow White: Mixed with Neutral Grey for lighter shades and used for bright reflective points.Games Workshop XV-88: Applied for adding coloured reflections, simulating the interaction of the hilt with surrounding elements.
Step-by-Step Guide for Painting Sigvald’s Sword Hilt in NMM Silver
Initial Setup and Paints: On your wet palette, prepare the following colours: Vallejo Neutral Grey (top right in the video), Vallejo Pale Grey Blue (top left), Vallejo Ice Yellow (bottom right), and P3 Morrow White (bottom left).
Applying Neutral Grey: Start with Vallejo Neutral Grey. Despite appearing dark on the palette, it looks lighter against the black primed background of the sword hilt. This contrast is key. Begin by mapping out the light points on the hilt, focusing on top-down highlights. Remember, curves on the hilt, whether upward or downward-facing, will catch more light.
Adding Bounce Highlights: Still using Neutral Grey, paint in some bounce highlights. These are reflective lights, such as light bouncing off the floor or nearby surfaces. Towards the end of your painting session, add colour to these bounce highlights to reflect adjacent colours like armour.
Building Up Highlights: Move to the mixed paint of Neutral Grey and White on your palette. Apply this mixture over the same areas as before, maintaining a scratchy texture to simulate the metallic surface. Be cautious in placing highlights, as the complex shape of the hilt requires careful attention to where light naturally hits.
Refining with Pale Grey Blue: Next, use Vallejo Pale Grey Blue to pick out more pronounced highlight points. This step enhances the contrast and adds to the illusion of a shiny surface.
Incorporating Ice Yellow: Apply Vallejo Ice Yellow to add a subtle warm tone to the highlights. This step is not about creating a stark contrast but about adding warmth to tie the hilt’s lighting to the rest of the model.
Detailing Bounce Highlights: Focus on areas where the light might reflect from one part of the hilt to another. These subtle details help in selling the realism of the metallic effect.
Adding Coloured Reflections: Near the end, use Games Workshop XV-88 to add coloured reflections to the silver. Apply this especially around areas where the hilt’s metal would reflect the colour of Sigvald’s armour. Thin this paint slightly (about two parts water to one part paint) for a translucent effect.
Final Touches and Review: After completing the painting, review your work. Make sure the balance of light and dark is maintained, and the silver retains its metallic look, not overshadowing the non-metallic gold of other armour parts.
Continue painting Sigvald the Magnificent with my full tutorials…
How to Paint Sigvald the Magnificent with NMM
All of the tutorials for Sigvald the Magnificent, including how to paint NMM (gold) armour, face and horns, freehand shield, NMM silver sword and hilt and more!
Watch Now
If you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free membership, or take the plunge and become a full subscriber for full access.
If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]
This video and step by step guide shows how to paint the face and horns on Sigvald the Magnificent from the Hedonites of Slaanesh by Games Workshop.
Video – Sigvald Face and Horns
All videos are recorded in HD 1080p or higher – use full screen for the full effect and let the video load completely.
Paints and Materials
Games Workshop Paints:
Cadian Fleshtone
Kislev Flesh (optional)
Ushabti Bone (optional)
Daemonette Hide
Temple Guard Blue
Mephiston Red
Balor Brown
Morghast Bone
Screaming Skull
Rhinox Hide
Vallejo Paints:
Pale Grey Blue
Black
P3 Paints:
Morrow White
Brushes
A fine detail brush, such as the Artist Opus 00, for intricate work such as eyes and smaller details.
A slightly larger brush for broader skin areas.
Other Materials
A wet palette to keep the paints hydrated and workable.
Water for thinning paints, as the tutorial emphasizes a thin paint consistency.
Matte varnish for finishing the face, reducing shine, and enhancing the shadows.
Airbrush for the base coat application (Dark Sea Grey over black primer).
Painting Sigvald’s Face and Horns: A Step-by-Step Guide
1. Preparation
Basecoat: Start by airbrushing a coat of Dark Sea Grey over black primer. This is to accommodate the white hair on the model.
Skin Base: Hand-paint the skin using a very watered-down Cadian Fleshtone. This base allows the grey to show through, creating a natural shadow effect.
2. Eyes
Start with the eyes using Pearl Grey Blue for the whites.
Add a large black dot for the iris and pupil, using Black paint.
Later, adjust the eyes with Light Blue for the iris.
Refine the pupil with a tiny black dot in the centre.
3. Skin
Apply multiple layers of Cadian Fleshtone to build opacity gradually.
Mix Cadian Fleshtone with P3 Morrow White to create various stages of highlights.
Use Daemonette Hide for shadowed areas, especially under cheekbones and on one side of the face. Be careful not to make the shadow too dark.
Maintain smooth transitions and a soft painting style to accentuate Sigvald’s exaggerated features.
4. Horns
Begin with Rhinox Hide as a base for the horns.
Progress through a series of browns and bone colours, such as Balor Brown, Morghast Bone, Ushabti Bone, and Screaming Skull.
Apply the paint in a rough, textured manner, focusing on the texture and curvature of the horns.
Lighten the horns towards the base (near the head) and darken towards the tips.
Create a reflective shine on the horns to match the light direction of the rest of the model.
5. Final Touches
Add lip colour by mixing Mephiston Red with flesh tones.
Apply a matte varnish to the face to reduce shine and enhance the painted shadows.
Continually refine details, ensuring the consistency of paint is thin and controlled.
Continue painting Sigvald the Magnificent with my full tutorials…
How to Paint Sigvald the Magnificent with NMM
All of the tutorials for Sigvald the Magnificent, including how to paint NMM (gold) armour, face and horns, freehand shield, NMM silver sword and hilt and more!
Watch Now
If you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free membership, or take the plunge and become a full subscriber for full access.
If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray [...]
As promised, here are some videos on how I created the NMM (non metallic metal) gold armour for Sigvald the Magnificent.
How to Paint: NMM Gold Armour – Video Part One
The following paints were used: Games Workshop: XV-88, Flash Gitz Yellow, Mournfang Brown, Rhinox Hide Vallejo: Ice Yellow, Black P3: Morrow White
Video Part Two: NMM Leg
The following paints were used: Games Workshop: XV-88, Flash Gitz Yellow, Mournfang Brown, Rhinox Hide Vallejo: Ice Yellow, Black P3: Morrow White
Video Part Three: Shoulder and Lower Leg NMM
The following paints were used: Games Workshop: XV-88, Flash Gitz Yellow, Mournfang Brown, Rhinox Hide Vallejo: Ice Yellow, Black P3: Morrow White
Tips: NMM Gold Armour
Model PreparationBegin by assembling the Sigvald model, using Blu Tack (other tacks are available) to hold parts together temporarily.Note that the head, shield, shoulders, and cloak are separate pieces for ease of painting.Applying Base CoatUse a worn-down brush to apply a 50/50 mix of XV-88 and Flash Gitz Yellow for the base coat on the gold armour.Apply thin layers to achieve a smooth finish, as multiple layers will be needed.Building LayersContinue adding thin layers to build up the metallic NMM gold effect.Remember, use thin paint (50/50 water to paint) to avoid clumpiness.Creating ReflectionsConsider the model’s pose and the reflection of light on different surfaces.Apply reflections on abs, chest, and other areas, keeping in mind the model’s dynamic sculpting.Adjusting Colour TonesBe open to adjusting the colour tones as the painting progresses.Think about the mood or alignment of the character, changing the look of the armour from dark and moody to a brighter, shinier appearance to match the character where applicable.Adding Random ReflectionsIntroduce random reflections to different armour panels to create variation.Remember – armour doesn’t need to be uniform; different angles and shapes can reflect light uniquely.Stippling TechniqueUse a stippling technique for certain areas to simulate distortion on the armour surface.Keep the paint thin and be cautious not to overload the brush to maintain control.Embracing ImperfectionsAllow for imperfections, such as small marks, smears of dirt, or grease, to enhance the reflective nature of the armour.
Continue painting Sigvald the Magnificent with my full tutorials…
How to Paint Sigvald the Magnificent with NMM
All of the tutorials for Sigvald the Magnificent, including how to paint NMM (gold) armour, face and horns, freehand shield, NMM silver sword and hilt and more!
Watch Now [...]
Finally, if you don’t have an account, please sign up here! The website currently has over 350 video tutorials with steps and tips, plus a selection of PDFs. If you are not sure about joining, you can explore my free videos with a free membership, or take the plunge and become a full subscriber for full access.
If you’d prefer to support me on Patreon, please visit: https://www.patreon.com/RichardGray