How to Paint the Skaven Arch-Warlock

How to Paint the Skaven Arch-Warlock

In this guide, we’ll walk through how to paint the Skaven Arch-Warlock with a grimy, non-metallic metal (NMM) effect. The focus will be on creating weathered steel armour and verdigris-weathered copper. You’ll learn to build up layers using stippling and dry brushing, while maintaining the gritty, battle-worn look typical of Skaven. This method is also ideal for quickly painting an entire army to a table-ready standard.

Video – How to Paint the Skaven Arch-Warlock: Part One

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Materials Needed:

  • Games Workshop Paints: Doombull Brown, Bugman’s Glow, Rhinox Hide, Mournfang Brown, Abaddon Black, Warpstone Glow, Moot Green, Flash Gitz Yellow
  • Vallejo Paints: Neutral Grey, Ice Yellow
  • Brushes: Large and small dry brushes (Artis Opus recommended, or makeup brushes can suffice), size 0 brush, and others as needed

Step 1: Prime the Model

  • Begin by priming your assembled model with Abaddon Black,

Step 2: Base Layer with Mournfang Brown

  • Using a large dry brush, apply a base coat of Mournfang Brown using a stippling technique. Thin the paint by mixing it with water (about 50/50 ratio). Ensure the dry brush is damp but not wet to avoid texture buildup.
  • Stipple the paint all over the model, ensuring a smooth application with no unwanted texture. This will create a rough surface that adds depth to the dirty, grimy appearance of the armour.

Step 3: Add Neutral Grey Highlights

  • Switch to a smaller dry brush for more control, and apply Vallejo Neutral Grey. Again, thin the paint with water (50/50) and lightly stipple the paint over areas where you want the steel effect.
  • Focus on armour plates and metallic surfaces, building up a soft layer of grey over the brown to give it a worn metallic look. Let the initial layer of Mournfang Brown peek through to give the impression of rust and grime.

Step 4: Refine the Metallic Layers

  • Now, switch to your size 0 brush for more detailed work. Continue building highlights using Neutral Grey but add small amounts of Ice Yellow with each layer.
  • Increase the amount of Ice Yellow in each highlight as you progress, eventually reaching pure Ice Yellow for the brightest highlights. Add a final touch of white if you want to push the contrast further.
  • Be cautious not to overblend; the strength of this technique lies in the visible transitions between layers, adding texture and a rough, battle-worn appearance.

Step 5: Create Verdigris on Copper Sections

  • For the copper elements, begin with Doombull Brown as your base colour. Hold the model under a light to identify the highlight areas. Thin Doombull Brown and apply it to the copper parts of the model.
  • Mix Bugman’s Glow with Doombull Brown for the next layer, applying this mix to the raised areas of the copper.
  • Progressively add Ice Yellow to Bugman’s Glow for further highlights, working up to nearly pure Ice Yellow. If your copper starts looking too pale, glaze over with a watered-down layer of Doombull Brown to restore some warmth.

Step 6: Add Verdigris Weathering

  • To achieve a verdigris effect, mix Vallejo Ice Yellow and Warpstone Glow with water (about 3:1 ratio of water to paint). Apply this to recesses and areas where the copper would naturally oxidise.
  • Focus on the joints and edges of the copper parts. As the glaze dries, it will create a subtle verdigris patina, enhancing the aged look of the model.

Step 7: Apply Rusty Shadows and Dark Glazes

  • To deepen the shadows on the armour, mix Rhinox Hide with Abaddon Black, thinning it with water (4:1 water to paint). Use this glaze to darken recesses and areas where rust would gather, particularly around the joints and lower sections.
  • Glaze carefully to avoid losing the texture created by earlier stippling. Stay away from the brightest highlights to maintain the contrast.

Step 8: Add a Pop of Colour – Warpstone Glow Lens

  • For small details like lenses, start by applying Warpstone Glow to the lens, followed by a highlight of Moot Green. Finish with a small dot of Flash Gitz Yellow in the upper corner of the lens for a specular highlight.
  • Ensure the lens stands out from the grimy armour to give the model a bit of Skaven flare.

This stage of painting the Skaven Arch-Warlock gives you a quick and effective tabletop-ready look, perfect for gaming or as a base for further refinement. The grimy, weathered appearance suits the Skaven’s lore, while the stippling and dry brushing techniques create a realistic metallic effect without needing an airbrush.

In the next part, we’ll continue with other details such as the weapon, robe, and tail.

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