How to Paint an Emperor’s Children Chaos Lord

How to Paint an Emperor’s Children Chaos Lord

In this two-part tutorial, I’ll take you through how to paint an Emperor’s Children Chaos Lord from the new Champions of Slaanesh army box, kindly sent to me as an early review copy by Games Workshop. The Emperor’s Children are infamous for their garish, opulent, and excessive aesthetics—making them great fun to paint.

In Part 1, we’ll focus on the base tones, armour, and non-metallic trim, laying down the foundation for a striking and cohesive look.

  1. Video – How to Paint an Emperor’s Children Chaos Lord
  2. Step by Step – How to Paint an Emperor’s Children Chaos Lord
    1. Establishing the Base Layers
    2. Building Up the Armour Highlights
    3. Non-Metallic Metal (NMM) Trim
    4. What is Glazing & How to Use It?
      1. What is Glazing?
      2. Glazing in This Tutorial
      3. How to Mix a Glaze
      4. Tips for Effective Glazing
    5. Refining the Face & Details
    6. Cloak & Fabric Elements
    7. Non-Metallic Gold on the Slaanesh Icon

Video – How to Paint an Emperor’s Children Chaos Lord

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Step by Step – How to Paint an Emperor’s Children Chaos Lord

Establishing the Base Layers

To begin, I applied AK Violet Red and Emerald with a large brush, deliberately laying them down in a rough, loose fashion. These colours dry translucent, which allows the black primer to show through slightly—softening the intensity and creating a more natural undertone. While the initial result looks chaotic, it provides depth and variety that will later influence the armour’s highlights.

This method also prevents the armour from feeling flat or overly clean, which is especially fitting for the decadent, chaotic aesthetic of the Emperor’s Children.

Building Up the Armour Highlights

For the iconic purple armour, I used a layered approach, mixing the following shades:

  • Base Colour: Xereus Purple
  • Mid-Tones: Xereus Purple + Emperor’s Children
  • Highlights: Emperor’s Children → Emperor’s Children + AK Pastel Pink → AK Pastel Pink

Rather than applying flat layers, I stippled and blended using a size 4 brush to establish soft transitions while keeping some texture. This technique ensures a more organic, high-contrast look, ideal for the dramatic shine seen on non-metallic armour.

I also used glazing techniques with Xereus Purple to subtly shift the tone and unify different parts of the armour, ensuring colour harmony throughout the model.

Non-Metallic Metal (NMM) Trim

The intricate trim was painted using a non-metallic silver technique with the following colours:

  • Base: Vallejo Neutral Grey
  • Mid-Tone: AK Pale Grey
  • Highlights: AK Pastel Blue

To enhance realism, I avoided making the highlights too uniform. Instead, I varied the intensity in different areas, ensuring that the trim reacted naturally to imagined light sources. I also incorporated a subtle tint of Xereus Purple glaze to unify the trim with the armour, adding a subtle reflective colour shift.

For finer details, I switched to a size 00 brush to carefully place sharp specular highlights on raised areas.

What is Glazing & How to Use It?

What is Glazing?

Glazing is a technique where you use very thin, transparent layers of paint to subtly shift colour, create smooth blends, or enhance shadows and highlights. Unlike a wash (which settles into recesses), a glaze is carefully controlled to tint rather than fully cover the underlying layers.

Glazing in This Tutorial

In this video, I used glazing in a few key areas:

  • Harmonising the Armour & Trim – I applied thin Xereus Purple glazes over the non-metallic trim to subtly reflect the armour’s colour, tying everything together.
  • Deepening Shadows on the Cloak – I glazed with a mix of Xereus Purple + Wine Red (4:1 water-to-paint ratio) to push the shadows in fabric folds while keeping the overall colour rich.
  • Refining the Gold NMM on the Slaanesh Icon – A light glaze of Xereus Purple over the mid-tones and shadows added depth and softened transitions.

How to Mix a Glaze

A good rule of thumb for glazing is a 4:1 or 5:1 water-to-paint ratio—but this depends on the pigment strength of the paint. If the glaze pools or streaks, it’s too wet; if it covers too opaquely, it’s too thick. Adjust accordingly!

Tips for Effective Glazing

  • Use a Damp Brush – After loading your brush, wick off excess paint on a paper towel to prevent flooding the surface.
  • Let Layers Dry – Glazing is a slow-build technique. Let each layer dry before applying another, or you’ll lift the previous one.
  • Work in Thin, Controlled Strokes – Apply in the direction of the blend, pulling towards the shadow or highlight you want to emphasise.
  • Glaze Over Mistakes – If a highlight looks too stark or a shadow is too dark, a well-placed glaze can soften transitions and unify the surface.

Refining the Face & Details

The face of the Chaos Lord is one of the most important focal points. To ensure it stands out, I focused on creating precise highlights on the trim and facial details. One trick I often use is to place a tiny white dot on the forehead or high points of armour to push contrast.

For the eye lenses, I wanted a muted, sinister glow rather than an overly bright finish. I painted them using:

  • Base: AK Emerald
  • Shadow: Xereus Purple (glazed into the upper edges)
  • Highlight: AK Pastel Blue
  • Shine Spot: A tiny dot of AK Pastel Blue at the upper left corner of the lens

This layering creates a convincing sense of depth while keeping the colour scheme cohesive.

Cloak & Fabric Elements

For the cloak, I used a rich, desaturated red palette:

  • Base: Wine Red + Xereus Purple
  • Highlights: Wine Red → Magenta → Magenta + Pastel Pink

I focused on building soft, blended transitions, making use of feathering and glazing techniques to create the illusion of light playing across the folds. To maintain realism and subtlety, I avoided taking the brightest highlights up to pure white, instead stopping at Pastel Pink.

For added depth, I glazed in Xereus Purple at the shadows, enhancing the rich tones and adding variation to the overall red.

Non-Metallic Gold on the Slaanesh Icon

The Slaanesh icon clasp follows the same non-metallic metal principles but with a golden palette:

  • Base: XV-88
  • Mid-Tone: Balor Brown
  • Highlights: AK Sand Yellow → AK Pale Yellow

To increase depth, I applied glazed Xereus Purple into the shadows, creating a satin-like richness. The brightest highlights were carefully placed to create a metallic gleam, but I avoided overusing pure white, as that would remove the golden warmth of the piece.

How to Paint an Emperor’s Children
Applying the base for the golden NMM.
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